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Making a Movie Is Scary—This Is How We Manage Our Fear

On this bonus episode of the No Film School podcast, host GG Hawkins is joined by members of the team behind the movie she wrote and directed, 'I Rea…

2 years, 1 month ago

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‘War Game’ Directors Jesse Moss & Tony Gerber on Fearless Collaboration, Plus Comic-Con & Experimental Films

“Remain curious. Approach projects not with a notion of what kind of product you want to create in the market, but rather, what do you want to learn.…

2 years, 2 months ago

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Breaking Down the Black List

The Blacklist started as an annual list of the best, unproduced screenplays in Hollywood. Nowadays, it’s an awesome online platform that nurtures and…

2 years, 2 months ago

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Navigate All Facets of Comedy With 'The Office' & 'Abbott Elementary' Director Ken Whittingham

Ken Whittingham has directed shows we all know and love such as, The Office, 30 Rock, and Parks and Recreation. More recently, he has worked on the T…

2 years, 2 months ago

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How ‘I Saw the TV Glow’ Editor Balances Creative, Tech & Negotiates Higher Pay

As a beginning editor, working on low-budget projects is normal when you’re first starting. Once you get some experience under your belt, there comes…

2 years, 2 months ago

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Paramount — Skydance Merger; Scope, Scale & Dragon Battles

Paramount and Skydance are merging. How does that impact the people already involved in those companies and what does it mean for the rest of us? How…

2 years, 2 months ago

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How To Write a Movie To Shoot (In Three Months)

On this special episode of the No Film School podcast, host GG Hawkins shares her experience of writing her first feature, 'I Really Love My Husband'…

2 years, 2 months ago

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The Burden of Unpaid Work, Ramping Up Your Reps & Roth IRAs; Plus ‘A Family Affair’ Screenwriter Carrie Solomon

At what point should you get paid for the work you do to develop a project? What types of conversations should you be having with your agent? How can…

2 years, 2 months ago

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Why This Doc Editor Let's Himself Get Lost

While documentary editor Lucas Harger loves “being lost in a sea of footage” when he first starts a project, his approach to editing is intentional a…

2 years, 3 months ago

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Don’t Sacrifice Creative: ‘A House is Not A Disco’ DP & Editor Share Tools on Staying Lean, Nimble

You don’t have to have high-end tech or complicated processes to create your film. You just need an open mind and a passion for the story you are tel…

2 years, 3 months ago

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