Episode Details

Nashville-based mastering engineer Ryan Smith works on high-profile vinyl releases such as recent albums by Adele and Taylor Swift, but he’s become renowned for the fantastic-sounding reissues he has mastered. As a member of the Vinyl Me, Please record club, I have become happily familiar with the phrase “AAA Lacquers Cut From The Original Analog Tapes by Ryan Smith at Sterling Sound.” In this illuminating conversation, Smith discusses his approach to an optimal recording, the level of detail possible in original pressings vs. new versions, the merits of black vs. colored vinyl, and the relative importance of where lacquers are cut vs. where albums are pressed. Listen…