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The Ballets Russes: Turning French
Description
Modernity kept seeping into ballet, a genre that had traditionally looked to a distant, mythical or magical past. First, the tutu gave way to an everyday tennis costume in Jeux by Debussy/Nijinsky, then ragtime rang out in Parade by Satie/Picasso, and in the 1920s Diaghilev decided staged a series of ballets drawn from contemporary life, and in particular, the French high society in which Diaghilev moved.
Uploaded 11-06-26
Milhaud and Poulenc provided the sparkling scores, while Coco Chanel added her sparkling costumes.
A lecture by Marina Frolova-Walker 7 April
The transcript and downloadable versions of the lecture are available from the Gresham College website:
https://www.gresham.ac.uk/lectures-and-events/ballets-russes-turning-french
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