Episode Details

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My full newsletter is here: https://james.cridland.net/blog/2026/to-london-and-back/

These are the first few stories.

• To London, and then on to Germany. As a former trustee of the Radio Academy - now the Audio Academy - I never actually got to speak at the Radio Festival; so it was great to speak at the Audio Festival, in a full room. Always lovely to see so many friendly faces: though plenty of new, younger, faces in the crowd. They tell you that none of the kids are interested in radio these days; but the Audio Festival was clear that there are plenty of younger people. Good. And, also, good to see the Community Media Association later that weekend, with many more people who were enthusiastic and excited about the state of the medium.
• It’s been very clear, from my LinkedIn feed, that Canadian radio is running out of patience with the CRTC, who promised a year ago to review parts of its regulation of the industry - regulation widely suspected to be holding the industry back - only to do absolutely nothing. I write a full piece, what’s the CRTC even doing?, elsewhere on my blog. The Canadian industry is in a mess; and the CRTC is partially responsible.
• The Playdate, a little black and white games console, now has a radio player in it. The Peedee ICF-390 app, just $3, just lets you scan through the dial using the crank on the side of the device: no searching, just serendipitous discovery of radio stations. It’s rather fine.
• Tom Webster writes Smart TV Killed the Smart Speaker Star, which is clearly a lazy Buggles headline - though he apologises for it - and to me - in the first paragraph. “As a conduit for podcasting, the smart speaker is objectively a failure.”
• Apple Music opened a fancy new music recording space in London. Meanwhile, I was able to have a look round Bauer Media’s new “Playground” - which has the capability to become a recording space in the basement of The Lantern, its home in London. Someone I worked with in Germany this week was excited after visiting a public radio station in the US with its own performance space (“they get people in! hundreds of people!”). It’s interesting to see more broadcasters highlight what they’re good at - getting people together, a community of common interest. Of course, podcasting is doing similar too.
• I realised something about advertising these days - the art of copywriting has disappeared from magazine ads, out of home, posters, and other parts of advertising. In a blog post I write a little about this - dimly realising that if the skills required for great copywriting are disappearing, what happens to those media that still require great copy: including radio and podcasting?