Episode Details
Back to Episodes03. The Lost Cause Comedy Vault Vol. I Ep 3- {"The Killing Bees"}
Published 2 weeks, 2 days ago
Description
EXT. PRIMEVAL FOREST - DAY
SHIEKWhat has you up against a wall?
FINIMy brother.
SHIEKWhat’s wrong?
FINIHe’s going to kill me; I can feel it.
CHAOS and INFINITY are immortal souls of creation, trapped in a centuries-long game of seek-and-find—or, more accurately, seek-and-destroy, as the strategic and tactical INFINITY is usually bested by her younger brother CHAOS by his tactile use of brute force, weaponry, and merciless destruction.
INFINITY, though equipped with an adapting presence, plays this game set in principles of fact, respecting the art of war and playing it rather fairly—
Perhaps this is why she keeps losing to her much younger, but physically adaptive younger brother—as these ranges within time upon which they age almost certainly always place him as technically appearing, for humanoid purposes, older, bigger, and stronger—however, not more powerful.
CHAOS has learned the karmic output of his own destruction, usually looming over him in a cosmic outward effect which summits more like a rippling throughout time served as consequences, as he awaits his sister’s imminent recycle and age against his own reincarnation and death epochs.
SHIEKThere’s a sense that he might be creeping along, I gather, but I don’t think “today” is nearly accurate enough to assume your holding position against that poor creature as a requisite defense.
By this "poor creature," she means the tree which FINI is leaning on to her wits' end; in this world and time, planetary biologics such as trees, plants, and animals are acknowledged also as wholly formed consciousness in physical manifestations as an artistic creative concept for the mastery of planets throughout time in the cosmic realm, and manipulation of energy throughout such as creatures, animals, people, and the very planets upon which they exist.
In fact, it was in the beginning of these realms and primordial worlds within the voids that INFINITY—or FINI—had adapted this concept of creation by merging these alchemic thoughts with outer forces, creating complex multi-structures and full galaxy concepts, rather than just concentrating one’s entire own energy into a singular planet, or as humans would call it, monotheistic concepts. That is, at once, INFINITY had configured with respect to her outwardly expanding consciousness, rapid creation of planetary constructs as powerful multidimensional galactic art projects.
This, in our own world and time, explains our own belief systems, spanning many worlds and many gods.
SHIEK (CONT'D)How do you expect to keep all of them up there like that?
FINIEventually, they’ll stay in place on their own.
SHIEKHow do you figure that?!
FINIJust wait for it.
Gravity and its placement within the void remains at large an experimental and theoretical concept of compression in pure consciousness.
[The Festival Project ™]
FINI (CONT'D)No, I know the feeling when it’s coming.
SHIEKYour brother?
FININo. The feeling of death and impending doom, but with him as the agent of this, most likely.
SHIEKYou are funny.
FINII’m not joking.
SHIEKBut it’s funny.
FINII’m making you aware, there’s no mistaking it...
SHIEKSpare me the theatrics.
FINII’m not exaggerating—here, take this.
SHIEKOkay, but why am I taking this?
FINIHe has a harpoon.
SHIEKWhat's a harpoon?
FINIA weapon.
SHIEK
SHIEKWhat has you up against a wall?
FINIMy brother.
SHIEKWhat’s wrong?
FINIHe’s going to kill me; I can feel it.
CHAOS and INFINITY are immortal souls of creation, trapped in a centuries-long game of seek-and-find—or, more accurately, seek-and-destroy, as the strategic and tactical INFINITY is usually bested by her younger brother CHAOS by his tactile use of brute force, weaponry, and merciless destruction.
INFINITY, though equipped with an adapting presence, plays this game set in principles of fact, respecting the art of war and playing it rather fairly—
Perhaps this is why she keeps losing to her much younger, but physically adaptive younger brother—as these ranges within time upon which they age almost certainly always place him as technically appearing, for humanoid purposes, older, bigger, and stronger—however, not more powerful.
CHAOS has learned the karmic output of his own destruction, usually looming over him in a cosmic outward effect which summits more like a rippling throughout time served as consequences, as he awaits his sister’s imminent recycle and age against his own reincarnation and death epochs.
SHIEKThere’s a sense that he might be creeping along, I gather, but I don’t think “today” is nearly accurate enough to assume your holding position against that poor creature as a requisite defense.
By this "poor creature," she means the tree which FINI is leaning on to her wits' end; in this world and time, planetary biologics such as trees, plants, and animals are acknowledged also as wholly formed consciousness in physical manifestations as an artistic creative concept for the mastery of planets throughout time in the cosmic realm, and manipulation of energy throughout such as creatures, animals, people, and the very planets upon which they exist.
In fact, it was in the beginning of these realms and primordial worlds within the voids that INFINITY—or FINI—had adapted this concept of creation by merging these alchemic thoughts with outer forces, creating complex multi-structures and full galaxy concepts, rather than just concentrating one’s entire own energy into a singular planet, or as humans would call it, monotheistic concepts. That is, at once, INFINITY had configured with respect to her outwardly expanding consciousness, rapid creation of planetary constructs as powerful multidimensional galactic art projects.
This, in our own world and time, explains our own belief systems, spanning many worlds and many gods.
SHIEK (CONT'D)How do you expect to keep all of them up there like that?
FINIEventually, they’ll stay in place on their own.
SHIEKHow do you figure that?!
FINIJust wait for it.
Gravity and its placement within the void remains at large an experimental and theoretical concept of compression in pure consciousness.
[The Festival Project ™]
FINI (CONT'D)No, I know the feeling when it’s coming.
SHIEKYour brother?
FININo. The feeling of death and impending doom, but with him as the agent of this, most likely.
SHIEKYou are funny.
FINII’m not joking.
SHIEKBut it’s funny.
FINII’m making you aware, there’s no mistaking it...
SHIEKSpare me the theatrics.
FINII’m not exaggerating—here, take this.
SHIEKOkay, but why am I taking this?
FINIHe has a harpoon.
SHIEKWhat's a harpoon?
FINIA weapon.
SHIEK
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