Episode Details

Episode SummaryWe discuss the shift from left-right politics toward individualism versus collectivism, the limits of postmodernism, and the idea that modern culture is entering a new “metamodern” or quantum era. The conversation ranges across activism, truth-testing, cognitive systems, Canada’s political identity, and Michael’s vision for a more sovereign, self-reliant future.Now based in Toronto, Adamson continues to produce ambitious, materially committed paintings that speak directly to the current cultural hunger for authenticity, optimism, and human presence in a digitally saturated age...Canadian painter and writer. "niche dissident/art-critic"-Grokhttps://x.com/FalconerAdamsonhttps://www.michaeladamson.art/paintings-1Key Topics

• Michael Adamson’s background as a Canadian painter, writer, and dissident commentator
• Vancouver in the 1990s and how Canada has changed over time
• The move from left-right politics to individualism vs. collectivism
• Postmodernism, metamodernism, and “what comes next”
• Truth, discernment, and how to test what’s real in an information-saturated world
• Canada’s role in globalization, sovereignty, and resource use
• The “garrison” metaphor for Canada
• Elbows up, MAID, and political symbolism
• A vision for a freer, more technologically self-directed Canada

• 0:02— Introduction to Michael Adamson
• 2:32— Vancouver, tuition, and student activism in the 1990s
• 7:07— Activism, the internet, and a new political lens
• 13:44— Postmodernism and hyper-individuality
• 15:08— What comes after postmodernism
• 22:13— “Infer, discern, self-regulate”
• 28:31— Net zero and truth-testing
• 31:45— Canada as a “garrison”
• 46:29— “Elbows up” and the MAID discussion
• 56:58— Globalization 2.0 and the future of governance
• 59:04— “Cansit” and Canadian exit from extractive systems

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