Episode Details

The review ran with no star rating. Infinite stars out of five. Four fans who were inside the MTS Centre explain why that was the only honest math.

Episode summary

August 5th, 2016. A Friday night, show eight of the Man Machine Poem Tour, and the MTS Centre sits smack in the middle of downtown Winnipeg with no room to breathe. The Tragically Hip open with four straight from "Fully Completely", and the second song is 'Pigeon Camera' - a tour debut nobody in the building saw coming. Ten years on, four fans who were there pass the night around the table with jD.

Nicole from Winnipeg raised three daughters on this music and lived her whole life in Thunder Bay before Winnipeg claimed her. She loaded two teenagers into the car and drove eight hours west so her girls could finally see the band she had been singing to them since the car seat. Somewhere in the causeway, the opening notes of 'At the Hundredth Meridian' hit, and the cranky seventeen-year-old looked at her mother and got it.

Kim from Cambridge has 41 Hip shows on her card, and Winnipeg came with a bonus night. Same hotel as the band, a waiter's tip to come back to the bar later, a hundred-dollar bar tab worth of nerve, and then a gracious Rob Baker outside the bathroom, a sit-down with Gord Downie's bus driver, and a photo with Gord Sinclair. The guitar picks Bernie Breen handed over are framed with her tour poster.

Dave from Montreal got the email on a beach in Crete, day two of a vacation that never recovered. He went to seven shows on the final tour, and this one meant the most - August 5th was the one-year anniversary of his mother's passing. He landed from Calgary on a WestJet flight full of Hip fans, caught the band's tweet about seats beside the stage, and cabbed straight from the airport to the box office. In the hotel lobby he told Paul Langlois that 'Three Pistols' had dodged him for 65 shows. "I can promise you you're going to hear it," Paul said.

Alicia from Winnipeg heard the news before almost anybody, because breaking news was her job - she was the editor at Metro Winnipeg. She reviewed the show on deadline, one ticket, scribbling in a row of stunned critics, and filed it with no star rating at all. Infinite stars out of five. You can't score a goodbye.

They talk about the four-song "Now for Plan A" block and what it asked of the room. About Gord Downie stopping the show to thank the Winnipeg people who built the band an audience, and a local music writer's phone detonating in real time. About the scream at the end of 'New Orleans Is Sinking' that shut an entire arena up, Kim's Periscope stream that died the moment 'Springtime in Vienna' made holding a phone still impossible, and the moment Dave realized the rants were gone - no workshopping, because there was nothing coming next. And about August 20th, which found them in a second row in Kingston, a basement watch party, and a raucous Thunder Bay bar called The Foundry.

Nobody at this table claims the full picture. They just know what that room felt like, and ten years has not dulled it. This is the Winnipeg night, told back by the people who lived it.

Key takeaways

• 'Pigeon Camera' and 'Streets Ahead' were both tour debuts that night, and the setlist held five songs from "Road Apples" and nothing from "Day for Night" - Calgary got that block two nights earlier (source: setlist.fm).

• Kim from Cambridge spent the night before the show in the band's hotel bar. Rob Baker was gracious, a bus driver made the introductions, Gord Sinclair posed for photos, and Bernie Breen handed out guitar picks.

• Dave from Montreal traded up to seats beside the stage the day of the show off a band tweet,