Episode Details

Why do we drive thousands of miles just to touch the wooden beams of an author’s birthplace?

From Poe’s Baltimore to PEI and Waywords’s own Waterford, MI, we consider what it takes to build a literary destination and how this works to undermine the very real need for we travelers to cross the threshold from the literary into the physical. Is there a way to thwart the hucksters of simulations? Perhaps!

Resources:

• • Bachelard, Gaston. The Poetics of Space, 1969.
  • Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction,” 1969.
  • MacLeod, Nicola E. Literary Fiction Tourism: Understanding the Practice of Fiction-Inspired Travel, 2024.
  • Montgomery, Lucy Maud. The Alpine Path: The Story of My Career, 1917.
  • Tuan, Yi-Fu. Topophilia: A Study of Environmental Perception, Attitudes, and Values, 1990

Episode 7.05 –

Author Footprints Pt. 1 – Aura & Reliquary

Glossary:

Topophilia: The real and physical human desire to meet authentic space and map our emotions onto the physical earth. 

Heterotopia: A specially-created “other space” or place of difference that exists wholly outside of ordinary daily life. In the context of literary tourism, an arranged, static attraction designed that offers the idea of a flawless, isolated world in contrast to our own. 

Aura: The unique, irreplaceable physical presence and authority of an original work/art that is weakened by mass reproduction.

Listener’s Guide Reflection Questions

1. When you feel a sudden wave of awe while standing inside a historical building, are you emotionally connecting to the long-dead occupant, or are you reacting to the architectural cues—the lighting, the placards, the quiet—designed to trigger a posture of reverence?
2. Consider the threshold of a museum’s velvet rope: how does the act of cordoning off a mundane everyday item (like an author’s writing desk or an antique bookcase) alter your perception of its value compared to an identical item sitting in a thrift store?
3. If our internal imagination requires us to ground ourselves in physical landmarks to feel a text’s “authenticity,” what does that suggest about the limitations of our minds to hold abstract ideas without a concrete, material anchor?
4. Reflect on the psychological role of the gift shop at the end of an historic tour: how does buying a plastic replica or a themed postcard serve as a physical mechanism for our emotions?
5. Think about your own home or neighborhood using the metaphor of a flawless diorama: what details, chores, or structural flaws would you have to entirely censor or rope off to make your daily space look like an arranged attraction for an outside visitor?

Skeptical Pilgrim Challenges: 

• The Grand Tour – PDF
• Pac