Episode Details

This week we continue the story by following the extraordinary journey of Hans Coper, a man who arrived in Britain as a refugee with no experience of pottery, yet went on to become one of the greatest ceramic artists of the modern age.

Forced to flee Nazi Germany as a teenager, Hans Coper rebuilt his life from scratch in wartime Britain. When he began working in Lucie Rie's studio, he discovered not only a new craft but an entirely new way of expressing himself. Although Rie taught him the fundamentals of working with clay, Coper soon developed a powerful artistic language all his own creating bold, sculptural vessels that blurred the boundaries between pottery and sculpture.

In this episode, we explore Coper's remarkable transformation from refugee to internationally celebrated artist, the creative partnership and lifelong friendship he shared with Lucie Rie, and the innovations that changed the direction of modern ceramics forever.

More than a story about beautiful objects, this is a story of resilience, identity, and the extraordinary power of art to reshape a life.

Join Stephanie Rozene and Paul Greenhalgh as they uncover the life and work of Hans Coper and discover how a man who began with no training in ceramics became one of the defining voices of twentieth-century studio pottery.

IMAGES FOR HANS COPER EPISODE:

Lucie Rie, Bronzed bowls from the 1980s
Photograph by Sylvain Deleu
© Estate of the artist/The Lucie Rie and Hans
Coper Foundation

Hans Coper, A group of Cycladic forms, late-
1970s – early-1970s
Photograph by Sylvain Deleu
© Estate of the artist/The Lucie Rie and Hans
Coper Foundation

Hans Coper, Early composite form, c.1950 and
Large jug, c.1953
Photograph by Sylvain Deleu
© Estate of the artist/The Lucie Rie and Hans
Coper Foundation

Hans Coper, Portrait of Lucie Rie, conceived
c.1953
Photograph by Sylvain Deleu
© Estate of the artist/The Lucie Rie and Hans
Coper Foundation

Hans Coper, Ovoid pot c.1970, Small ovoid pot,
c.1972 and Ovoid pot, c.1972
Photograph by Sylvain Deleu
© Estate of the artist/The Lucie Rie and Hans
Coper Foundation

Monumental Altar Candlesticks, Coventry Cathedral, by Hans Coper,
Image courtesy of Julian Osley – CC BY-SA 2.0


ADDITIONAL WORKS:

Bernard Leach, Thrown Bowl, 1973
Provided by York Museum
https://creativecommons.org/licenses/by-sa/3.0

Bernard Leach Studio St Ives
https://creativecommons.org/licenses/by/2.0/

Henry Moore, Three Way Piece No. 2 ( The Archer), 1964-65
On display in front of Toronto City Hall since 1966 https://creativecommons.org/licenses/sa/1.0/

Henry Moore, Large Reclining Figure 1982 (LH 192b), fibreglass. As of 2004 sited outside the Fitzwilliam Museum, Cambridge. On loan from the Henry Moore Foundation. https://creativecommons.org/licenses/by-sa/2.0/

Brâncuși's Paris studio, 1920,  Photograph by Edward Steichen, Public Domain

Constantin Brancusi, The Kiss, 1907-08, Public Domain

PHOTOGRAPHS:

Lucie Rie and Hans Coper in front of Albion
Mews, 1950s
Photograph by Jane Coper
© Estate of Jane Coper /The Lucie Rie and Hans
Coper Foundation
Image Courtesy of the Crafts Study Centre,
University for the Creative Arts, Farnham

Lucie Rie an