Episode Details

Chris Succo joins Duncan MacKenzie, Ryan Peter Miller, and Tom Sanford in Miami for a conversation that slides easily from pronunciation jokes into a deep dive on abstraction, immediacy, and the quiet, often unspoken labor of sustaining an art practice.

Succo unpacks a studio logic built on contradiction: paintings that feel fast but are deeply considered, surfaces that appear minimal but hold layers of decision-making, and a practice that balances commercial necessity with experimental risk.

The conversation ranges across Succo's "white paintings," photographic references, sculptural work in foundries, and the strange economics of being a working painter. Along the way, the crew hits Miami art fair nostalgia, Miley Cyrus backed by The Flaming Lips, and the enduring romance of making something that might never sell.

This one is about intuition, material intelligence, and what it actually means to keep going in the studio.

Chris Succo - https://chrissucco.com/images/

Mark LeBlanc — https://mleblancchicago.com/

Richard Prince — https://gagosian.com/artists/richard-prince/
Paul McCarthy — https://hauserwirth.com/artists/paul-mccarthy/
Willem de Kooning — https://www.guggenheim.org/artwork/artist/willem-de-kooning
Bushwick Bill — https://en.wikipedia.org/wiki/Bushwick_Bill
Miley Cyrus — https://www.mileycyrus.com/
The Flaming Lips — https://www.flaminglips.com/
MC Serch — https://en.wikipedia.org/wiki/MC_Serch
Fugazi — https://en.wikipedia.org/wiki/Fugazi
Michael Harding Paint — https://www.michaelharding.co.uk/
Gamblin — https://gamblincolors.com/