Episode Details
Back to EpisodesWhat NYC Nightlife Was Like in the 90s (Before Social Media)
Description
What was New York nightlife really like before phones, influencers, and bottle service?
This week on The Cutting Up, we sit down with East Village legend DJ Gant Johnson to relive the chaos, glamour, and dance-floor magic of 80s and 90s NYC club culture.
We’re talking:
🔥 Crowbar Tuesdays
🔥 Boy Bar
🔥 Salon Wednesdays (1993–1999)
🔥 Pat Fields era fashion
🔥 Sugar Babies, the legendary Monday night party.
And yes — the time Lina was electrocuted on stage… and the crowd thought it was part of the show.
We get into how nightlife changed when:
📱 Phones hit the dance floor
📸 Social media killed mystery
💸 Pay-for-position replaced organic scenes
🔐 Privacy disappeared
Was the energy better back then — or just different?
For Gant and Lina DJing isn’t just music — it’s spiritual. It’s community. It’s bringing people together.
This episode is a true love letter to the East Village that raised us.
Click here to support his ride for Housing Works- to End Homelessness and AIDS
https://pro.gofundme.com/fundraiser/7212007
Click here to support him on the Empire State Ride. NYC --> Niagra where he will be raising money for cancer research at Roswell Park Comprehensive Cancer Center
https://give.roswellpark.org/site/TR/SpecialEvents/General?pg=personal&px=1730543&fr_id=2130
Apple Podcasts: https://podcasts.apple.com/us/podcast/the-cutting-up-a-kiki-with-connie-lina/id1849020008
Spotify: https://open.spotify.com/show/200MOk48TaLRPLQvzx2UK0?si=6499dd094f704a10
iHeart: https://www.iheart.com/podcast/1333-the-cutting-up-a-kiki-wit-303161901
Write to us at Kiki@TheCuttingUp.com
And follow us on instagram:
@TheCuttingUp
@TheRealConnieGirl
@TheLinaBradford
@PrideHouseMedia
“The Cutting Up: A Kiki with Connie & Lina” is a Pride House Media production.
Producers: Josh Rosenzweig & Matthew Breen.
Graphic Design by Daryl Raymond.
Original Music by 808 BEACH (John “J-C” Carr & Bill Coleman), courtesy of Peace Bisquit.
Production Design by Darryl Dickens.
Our very special thanks to Jason Kanner for all your support.