Episode Details
Back to EpisodesGaming Highs
Description
It's another episode of Button Boys, kicking down your door, fist-pumping, screaming "woo" in your face and celebrating its own release. That's right, the Boys are amped this week, reliving their greatest gaming highs. From saving the planet to skin-of the-teeth boss battles, we'll be discussing those unforgettable moments that only other gamers can really understand.
But not before a check-in on what the Boys have been playing. Sarah's plodding along, Glenn's trying to extract himself from a potential flop and Pierre's left unimpressed by a medieval facsimile.
To follow along with the Button Boys outside the podcast:
Pierre - You Sit There, I’ll Stand Here
Glenn - Please Sir, Glenn I Have Some Moore
Glenn and Producer Ben - The Audience VS
Sarah's Melbourne Show
If you can't get enough Button Boys content, head over to Patreon, where you can find our weekly Hidden Cache bonus episode featuring more gripes, game recommendations and our Hitman: World of Assassination playthrough, and Player 4, where we interview a different comedian every month about their gaming lives.
Follow along with the Button Boys on Instagram or TikTok for highlights, behind-the-scenes content and future podcast announcements.
Games Mentioned in this week's episode:
- Terra Invicta
- Age of Empires II: The Age of Kings
- Drop Duchy
- Tetris
- Mad Carnage
- Dorfromantik
- Resident Evil Requiem
- A Short Hike
- The Elder Scrolls V: Skyrim
- Tchia
- Marathon
- Call of Duty: Warzone
- Fortnite
- ARC Raiders
- Highguard
- Concord
- Helldivers
- Escape from Tarkov
- Helldivers II
- World of Warcraft
- Final Fantasy VIII
- Dragon Quest VIII
- The Witcher 3: Wild Hunt
- Medal of Honor
- LittleBigPlanet 3
- REANIMAL
- Dark Souls III
- Call of Duty: Black Ops II
- Demon's Souls
- Factorio
- Overcooked
- The Lion King
- Aladdin
- Blue Prince
- Rayman Legends
- Astro Bot
- Sackboy: A Big Adventure
- Cuphead
- Sekiro: Shadows Die Twice
- Hitman: World of Assassination
- GoldenEye 007
- TimeSplitters
Produced and edited by Ben Drayton
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