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170: Is Community Based-art Making at the Heart of Cultural Democracy?
Description
Is Community-Based Artmaking
at the Heart of Cultural Democracy?
In this conversation, community arts organizer, educator and theater maker Matt Schwarzman describes his mission to make collaborative art making a regular, normal, expected part of everyday life. A movement that has quietly grown for decades, but now faces a new test in a time of democratic strain.
Along the way, he traces his influences from John o' Neill and the Free Southern the to the grassroots cultural movements of the 1980s and 90s that helped shape a generation of artists who see culture not as decoration but as civic infrastructure.
Matt's journey winds through several decades of cultural organizing from sea to era arts jobs in Philadelphia to community organizing in Oakland and youth theater in post Katrina New Orleans.
Across these projects, a single thread emerges the idea that community arts is a learnable, cross sector civic practice, an amalgam of organizing, teaching and art making.
In our conversation, we talk about:
- The influence of seminal cultural leaders like John O'Neal, whose minimalist storytelling and story circle methodology help build national networks of cultural democracy
- How youth arts programs can serve as modern rites of passage that help young people claim civic voice and leadership
- And how storytelling, imagination and collective creation are foundational skills for sustaining democratic life.
Notable Mentions
People
Mat Schwarzman – Trinity City Arts
Community arts organizer, educator, theater maker, and co-creator of Trinity City Comics and A Beginner’s Guide to Community-Based Arts.
John O’Neal – SNCC Digital Gateway
Playwright, storyteller, organizer, and founder of Junebug Productions; a key influence on Schwarzman’s understanding of cultural democracy and story circles.
Cartoonist and collaborator with Mat Schwarzman on A Beginner’s Guide to Community-Based Arts.
Rhodessa Jones – Cornell Arts & Sciences
Performer, teacher, and co-artistic director of Cultural Odyssey, cited in the episode through her theater work with formerly incarcerated women.
Organizer, strategist, and writer whose work at the Center for Third World Organizing helped shape Schwarzman’s understanding of community organizing.
Gary Delgado – American University
Organizer, scholar, and founder of the Center for Third World Organizing; one of the people Schwarzman credits with teaching him organizing practice.
Artist and educator who worked with Trinity City Arts and helped mentor youth comic-makers on Trinity City Comics.
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