Episode Details

Art Bell continues coverage of the Chilbolton crop glyphs with Richard C. Hoagland, who presents new ground-level photographs showing the intricate pixel work of the face formation and its proximity to the radio telescope. Close-up images reveal that standing wheat creates the dark areas while flattened wheat forms the light areas, producing a sophisticated negative image. A Gaussian blur of the face photograph reveals unmistakable hominid features with prominent cheekbones and shadowed eye sockets.

Hoagland details differences between the Arecibo message and the crop glyph response, including the addition of silicon to the element list and an altered solar system diagram consistent with his tidal model of missing planets. The face and rectangular glyphs appeared simultaneously in a field directly adjacent to the Chilbolton telescope, oriented with the forehead pointing toward the research facility. The website crashes under unprecedented traffic as listeners worldwide attempt to view the images.

Gregg Braden, author of The Isaiah Effect, connects the crop glyph phenomenon to ancient traditions describing this era as a time of great change. He discusses a fifth DNA base called 5-methylcytosine that diminishes with aging, and references 1998 research showing AIDS patients developing genetic mutations granting up to 3,000 times greater immune response. He suggests human emotion directly modulates DNA, proposing an internal technology referenced in the Dead Sea Scrolls' Isaiah text.