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Wandering Stars: Tommy Orange and the Sovereign Center

Published 1 month, 2 weeks ago
Description

What happens to the story when the ‘object’ of our sympathy looks back and refuses the role we’ve written for them?

The allegory of the ‘Suffering Child’ is a powerful challenge, but it creates its own blind spots: it can turn a living history into a static prop. This week, we use Tommy Orange’s Wandering Stars to break that Omelas mirror. We explore the ‘Sovereign Center’—a reality where trauma is not a relic in a basement, but an active, intergenerational authorship that demands a more strenuous engagement than simply ‘walking away.’

We also consider the legacy of the Carlisle Indian Boarding School, the Sand Creek Massacre, and the concept of ‘Survivance’ as a rejection of static victimhood. And we wonder if Renya Ramirez’s ‘Native Hub’ theory explains how Louise Erdrich and Tommy Orange use narrative power to challenge the ‘Bureaucracy of Erasure’ and the Omelas dilemma.

Episode 6.27 –

Wandering Stars: Tommy Orange and the Sovereign Center

Readings & Resources:

  • Erdrich, Louise: The Night Watchman, Love Medicine (expanded editions)
  • Harjo, Joy. “I Give You Back.” from She Had Some Horses (1983)
  • Momaday, N. Scott. “The Man Made of Words.” (1997)
  • Ortiz, Simon: “Towards a National Indian Literature” (essay), from Sand Creek (poetry)
  • Orange, Tommy: There There (2018) and Wandering Stars (2024)
  • Vizenor, Gerald. Manifest Manners: Narratives on Postindian Survivance. 

 

Some Key Terms from this episode:

  • Native Hub: A concept by Renya Ramirez describing the urban center not as a place of cultural loss or assimilation, but as a dynamic network where Indigenous culture is collected, maintained, and reinvented through “intertribal” connection.
  • Survivance: Gerald Vizenor’s term for an “active sense of presence” that renounces the static narratives of tragedy and victimhood, combining survival with resistance to create a continuous, evolving Indigenous identity.
  • The Loop (vs. Linearity): A temporal structure used by Tommy Orange to describe both the repetitive cycle of addiction and the non-linear nature of Indigenous history, where past traumas and present realities occur simultaneously, even internally, contrasting with the “settler time” of linear progress.

 

Listener’s Guide Reflection Questions

  1. How does the transition from viewing an individual as a “subject of care” to an “agent of sovereignty” alter the ethical requirements of the observer?
  2. In the context of “intergenerational trauma,” what are the implications of treating time as a toroidal loop rather than a li
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