Episode Details

In this episode, we get into detail about:

• How to calibrate monitors.  (For color correcting you can use the Datacolor Spyder monitor calibration)
• What are some tools you use to help with getting exposure?
• How do you get “The Film Look”?

The Featured Cinematographer: Sam Nuttmann

http://www.SamVisuals.com

http://www.MotionState.com

http://www.imdb.com/name/nm3813041/

https://vimeo.com/samnuttmann

Sam Nuttmann has been shooting narrative films, documentary films, commercials, and music videos since 2008 all over the world.  Freefly Systems,  hired Sam as a filmmaker / product ambassador immediately following NAB 2013 when the MoVi was first introduced.

Let’s set the scene:

This shoot was all about shooting in low light, using mostly practicals in a small, dark pub. We added 2 – Arri 650 lights to bring up the ambient light, but that was all we could really squeeze into the room, which had low ceilings and little space to spare for any sort of additional light rigging.

Check out the video below:

Behind The Scenes:

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