Episode Details

2015 was a turning point for the American comic industry in a number of ways, and seems to be a satisfying place to wrap up our look at over 50 years of American comic books.  This year is in many ways a fulcrum that links the insular comics world that I grew up in with the fast-moving media-entwined and politically-charged environment of recent times.   

This is part 2 of the podcast. that will feature the year in Daredevil, the Spotlight story and the Takeaway for 2015.

The Year in Daredevil 

Appearances: Daredevil v4 #10-18, She-Hulk #10, Superior Iron Man #1-2, Marvel Free Previews Scret Wars #1, Deadpool #45, Night Nurse #1, Secret Wars Journal #5, All-New, All-Different Point One #1 

Writer: Mark Waid (#10-18) 

Pencils: Chris Samnee (#10-18) 

Inks: Chris Samnee (#10-18) 

• We kick off the year with the big Purple Man arc that rolled over from 2014. Kilgrave is having a full-on existential crisis—he wants genuine affection for once—so he rounds up his five kids, each of whom has a piece of his mind-control powers. But teaming them up backfires spectacularly: the kids turn on him and literally toss him into the street… where he gets smoked by a train. Classic family bonding. 
• With dad out of the picture, the kids go wild—stealing a cop car, causing mayhem—until Daredevil shows up to contain them. But these kids aren’t like Kilgrave alone; together they’re a psychic wrecking ball and Matt ends up curled under a bridge in a full panic response. Kilgrave, very much alive, shows up to beat him senseless… until one magic word—“fear”—snaps Matt back into fight mode. Still, Kilgrave and the kids slip away. 
• After regrouping with Kirsten, Daredevil tracks the whole purple family to a mall arcade (which is honestly a perfect place for a mind-control clan). With some strategic help from police, Matt gets the kids separated so their powers weaken, and everyone—including Kilgrave—gets taken into custody. And the issue closes with a surprisingly tender moment of Matt finally letting Kirsten in—on every level. 
• Meanwhile, there’s a running side plot: Kirsten’s father offers Matt eight million dollars for a Daredevil autobiography. So throughout the year we see Matt and his ghostwriter Foggy chipping away at the book. 
• Next up: the Stunt-Master saga. A new, young, daredevil wannabe is stealing the identity of the original Stunt-Master and pulling off death-defying stunts all over San Francisco. The original, George Smith, wants to sue and goes to Matt—but legally, he doesn’t really have a case. When the new Stunt-Master publicly challenges Daredevil to join his next big stunt on the Golden Gate Bridge, Matt refuses… until he hears that Smith has apparently committed suicide. 
• Daredevil accepts the challenge and instantly realizes something is off. He discovers that the rider at the stunt is actually Smith himself—and that the “new” Stunt-Master’s whole trick is murdering stand-ins to survive his stunts. Matt gives chase in a wild car/motorcycle sequence, only for Kirsten to be the one who cracks the final twist: Smith faked the suicide and played everyone. His goal wasn’t fame—it was immortality as the world’s greatest “death cheater.” 
• Then we get a really fun twist: Kirsten gets her own arch-nemesis. Matt’s worried that their relationship is putting her in danger… and then she’s kidnapped. Except it’s not one of Matt’s villains—it’s the Lilac Killer, a serial killer Kirsten has been investigating. She’s thrilled, shouting, “I have my own arch-foe!” while Daredevil rescues her. It’s great. 
• In Issue #14, the Matt/Daredevil identity line really starts blurring. Matt’s now showing up in court in a full red suit with a giant DD belt buckle, handing out Daredevil business cards—subtlety is dead. He’s asked to