Episode Details

Just three hours from Bengaluru lies a breathtaking symbol of faith, history, and resilience - a temple that vanished beneath the waters of a great dam and was later resurrected, stone by stone. The Venugopalaswamy Temple near the KRS backwaters in Mandya is not merely an architectural wonder; it is a living legend that bridges the past and the present.

A Legacy Beneath the Waters

In the 12th century, during the glorious reign of the Hoysala Empire, a majestic temple was built in the riverside village of Kannambadi - dedicated to Lord Krishna in his divine flute-playing form, Venugopala Swamy. This temple reflected the finest of Hoysala craftsmanship, known for its symmetrical design, ornate carvings, and artistic grace that celebrated devotion through stone.

Centuries later, in the early 1900s, the visionary engineer Sir M. Visvesvaraya designed the Krishna Raja Sagara (KRS) Dam, commissioned by Maharaja Krishna Raja Wadiyar IV of Mysore. The project was a modern engineering marvel that promised prosperity to the region - but it came at a cost. The rising waters of the dam submerged Kannambadi village, and with it, the ancient Venugopalaswamy Temple disappeared beneath the reservoir.

For over seven decades, the temple lay hidden under water, surfacing only during severe droughts - its fleeting appearances stirring wonder and reverence among locals who still remembered its glory.

The Great Resurrection: A Modern-Day Miracle

In the early 2000s, a remarkable act of devotion and preservation began. The Khoday Foundation, under the guidance of industrialist and philanthropist Sri Hari Khoday, undertook a monumental task - to relocate and rebuild the temple, stone by stone.

Over 16,000 individual stones were carefully photographed, numbered, dismantled, transported, and reassembled at a higher site near Hosa Kannambadi, just a kilometre from the original submerged location. The work required years of meticulous planning and the expertise of skilled artisans who restored every carving to its rightful place.

The reconstruction preserved the exact Hoysala proportions, retaining the sanctum (garbhagriha), the navaranga (pillared hall), mantapa, vimana, and sub-shrines - all aligned according to traditional temple geometry (vastu shastra).

By 2011, the temple was completely restored and reconsecrated (kumbhabhishekam), once again welcoming devotees to worship beneath its ancient spires.

Architecture and Artistic Grandeur

The Venugopalaswamy Temple is a quintessential example of Hoysala architecture, with its intricate soapstone carvings and precise symmetry.

* The temple complex is built on a platform (jagati), a hallmark of Hoysala design that allows circumambulation (pradakshina).

* The main sanctum enshrines Lord Venugopala (Krishna), gracefully holding his flute (venu).

* Surrounding the sanctum are 46 sub-shrines, each dedicated to various deities associated with Krishna, Vishnu, and Vaishnava traditions.

* Every pillar inside the mandapa is a masterpiece, carved with floral patterns, mythological figures, and dancers frozen in stone.

* The ceiling panels feature lotus motifs, while the outer walls depict scenes from the Bhagavata Purana and Mahabharata.

* The vimana (tower) rises with understated elegance, maintaining the pyramidal symmetry typical of Hoysala temples like those in Belur and Halebidu.

When the sun sets behind the KRS backwaters, the temple’s silhouette, reflected in the still water, creates a sight of unmatched beauty - a serene union of nature and devotion.

Spiritual and Religious Significance

Venugopala Swamy, the central deity, represents Lord Krishna as the divine flute player, symbolizing love, peace, and cosmic harmony. The temple is a revered site for Vaishnavites and Krishna devotees who visit from across South India.

Daily Pujas and Rituals

* Morning Puja: Begins with Supra