Episode Details

One of the best features of our smartphones is the ability to apply a few tweaks to our photos before sending them to relatives or sharing them on social media. Using a phone’s built-in tools, we can bump up the brightness or fix red eye, with the desired result of a photo that looks more like the real-life moment when we snapped it. Of course, these same tools can now deliver photos even “better” than what we saw in real life. We can even create moments that didn’t happen in real life. 

Is it okay to pass those off as real? What is the boundary between fiddling with a photo and faking one? Does it even matter?   

Such questions will soon be forced on us through the integration of artificial intelligence with smartphones. Popular figures on Instagram have already demonstrated how easy it is to alter a mood or look, airbrushing a photo of a crying woman, for instance, into a beaming and happy version of herself. Images entirely generated by AI, often incorporating real people’s likenesses, are becoming nearly indistinguishable from photos.     

Writing recently at The New York Times, tech editor Brian Chen described how devices like Google’s Pixel 8 come with an AI-powered “Magic Editor,” a tool that can remove and add objects, move subjects around, and even stitch together elements from multiple photos into a new one. The result is imagery that is partially make-believe and, though it comes from the camera app and is stored with other “photos,” can no longer strictly be called photography. These snapshots of alternate realities fudge the truth in front of your lens, which is the point, since they’re closer to “exactly the photo you want.”   

According to Ren Ng, a computer science professor at Berkeley, this means that “[a]s we go boldly forth into this future, a photo is no longer a visual fact.” AI-powered photography and editing means that people will “increasingly have to question whether what they see in their images is real—including photos from loved ones.”  Of course, this goes further than just personal photos, and will contribute, Ng thinks, “to the spread of fake media online when misinformation is already rampant and it’s hard to know what to trust.”  

Last month, in fact, Hamas falsely accused Israel of faking images of atrocities using AI. It doesn’t take much of an imagination to see how future conflicts will be sparked by a convincing image posted online. 

Increasingly, the fundamental worldview question of our age is “What is real?” Fake photos, artificial wombs, and AI chatbots