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Back to EpisodesGET OUT (2017) IS MASTERFUL HORROR!! MOVIE REVIEW! First Time Watching!
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INTO THE SUNKEN PLACE!! Get Out Full Movie Reaction Watch Along: / thereelrejects
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With Monkey's Paw & Producer Jordan Peele's HIM playing now in theatres, Greg & Andrew REUNITE to give their Get Out Reaction, Recap, Commentary, Breakdown, & Spoiler Review! Greg Alba & Andrew Gordon dive into Jordan Peele’s Oscar-winning 2017 social horror / thriller Get Out! This critically acclaimed film follows Chris Washington, played by Daniel Kaluuya (Judas and the Black Messiah, Black Panther), a young Black man who visits the family estate of his white girlfriend Rose Armitage, portrayed by Allison Williams (Girls, M3GAN). At first, the trip seems like an awkward but typical “meet the parents” scenario with Rose’s seemingly friendly mother Missy Armitage (Catherine Keener, Capote, Being John Malkovich) and father Dean Armitage (Bradley Whitford, The West Wing, The Handmaid’s Tale). But soon, Chris uncovers a terrifying secret involving hypnosis, body snatching, and the sinister Coagula Procedure. The supporting cast includes Caleb Landry Jones (Three Billboards Outside Ebbing, Missouri) as Rose’s unsettling brother Jeremy, Lakeith Stanfield (Sorry to Bother You, Atlanta) as the mysterious Andre/Logan, Lil Rel Howery (Free Guy, Vacation Friends) delivering comic relief as Chris’s TSA best friend Rod, and Stephen Root (Office Space, Barry) as blind art dealer Jim Hudson. Get Out became a cultural phenomenon with iconic moments like the chilling “sunken place” hypnosis scene, the eerie garden party sequence with the “grandparents” living inside Black hosts, and the shocking twist of Rose’s betrayal. The film balances psychological dread with razor-sharp social commentary on race, privilege, and exploitation, making it one of the most discussed horror films of the 21st century. Join Greg & Andrew as they react to the film’s most haunting visuals, dissect its layered themes, and break down why Get Out remains a groundbreaking entry in both horror and social cinema.
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