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CREATURE FROM JEKYLL ISLAND - 4. A TALE OF THREE BANKS: The Banking Empire Strikes Thrice - Edward Griffin

CREATURE FROM JEKYLL ISLAND - 4. A TALE OF THREE BANKS: The Banking Empire Strikes Thrice - Edward Griffin



(00:00:00) IV. A TALE OF THREE BANKS (15-19)
(00:00:33) 15. THE LOST TREASURE MAP
(00:35:42) 16. THE CREATURE COMES TO AMERICA
(01:10:22) 17. A DEN OF VIPERS
(01:55:44) 18. LOAVES AND FISHES AND CIVIL WAR
(02:29:49) 19. GREENBACKS AND OTHER CRIMES

The Creature from Jekyll Island: A Second Look at the Federal Reserve - G. Edward Griffin (1998)

Section IV: A Tale of Three Banks A Historical Prelude to the Federal Reserve

In Section IV of The Creature from Jekyll Island, Griffin turns his attention to history, showing that America’s modern central bank—the Federal Reserve—is not an isolated development but the fourth incarnation of a recurring experiment in monetary control. Each previous attempt at central banking, Griffin argues, followed the same pattern: the promise of stability and prosperity, followed by corruption, inflation, political manipulation, and public outrage. The section explores over two centuries of monetary history, beginning in colonial Massachusetts in 1690 and ending after the Civil War. Griffin uses these case studies to illustrate a cyclical story of monetary deception—each central bank emerging under noble pretenses and collapsing under the weight of its own excesses. His thesis is simple yet provocative: America has repeatedly been lured into creating centralized banks that enrich private interests while burdening the nation with debt and inflation. By revisiting earlier banking experiments—the colonial notes of Massachusetts, the First and Second Banks of the United States, and the Civil War’s greenbacks—Griffin provides essential historical context for the rise of the Federal Reserve in 1913. Through these tales, he reveals the continuity of financial manipulation, the enduring influence of European banking traditions, and the public’s struggle against unseen economic forces. The five chapters in this section form a historical narrative that moves from the colonial era to the 19th century. Together, they show how America’s monetary destiny was shaped long before the fateful meeting on Jekyll Island. 

15. The Lost Treasure Map
Griffin begins this section by setting his “time machine” to 1690, in colonial Massachusetts—the birthplace of paper money in the Western world. “The Lost Treasure Map” recounts how the Massachusetts Bay Colony, facing financial strain from a failed military expedition, decided to issue paper notes to pay soldiers. These bills of credit were meant to be temporary, but their convenience led to widespread use and eventual abuse. At first, the new money seemed to work miracles. Trade flourished, and economic activity expanded. But the illusion soon faded. As the colony printed more notes without sufficient backing in gold or silver, prices rose, the currency depreciated, and savings were destroyed. The episode, Griffin explains, marked the beginning of the inflationary cycle that would plague paper money systems forever—a cycle of false prosperity followed by collapse. Griffin calls this the “lost treasure map” because it provides the first clue to understanding the nature of all future central banking: an attempt to conjure wealth out of nothing. He emphasizes that each repetition of this pattern—paper money issued to fund government spending—results in the same outcome: inflation, economic distortion, and loss of public trust. By beginning with colonial Massachusetts, Griffin sets up a recurring theme that echoes through later centuries: the political temptation to print money and the inevitable punishment that follows. 

16. The Creature Comes to America
In this chapter, Griffin describes how the idea of centralized banking migrated from Europe to the newly independent United States. After the Revolution, the nation was deep in debt and struggling with multiple currencies issued by both states and the Continental Congress. Into this chaos stepped Alexander Hamilton, who p


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