Episode Details

ULTIMATE EURODANCE CONSPIRACY PROJECT (featuring DJ POOLHOUSE), Volume 2: The Power plunges deeper into the secret history of ’90s Eurodance. Picking up where the cult-classic first volume left off—yet also operating as a prequel—DJ Poolhouse revisits the original thesis: Eurodance wasn’t just a genre, it was a project of statecraft.

From the Cold War to the Marshall Plan, from the Office of Radio Research to covert cultural operations like the CIA’s amplification of Doctor Zhivago, this volume uncovers the hidden infrastructures that fused sound with power.

Music as propaganda, sound as weapon, and pop as alchemy form the basis for a Poolhousean deep dive into the long arc of sonic control.

At the same time, The Power traces the musical genealogy of Eurodance itself: the German electronic experiments of the ’70s colliding with Black urban American sounds, the birth of techno and house, and the transatlantic feedback loops that gave rise to a truly global pop marketplace. ULTIMATE EURODANCE CONSPIRACY PROJECT functions as pop documentary and esoteric analysis, as myth and material history, as conspiracy theory and nonstop mixtape—all in one immersive experience. Whether you were with Volume 1 from the beginning or are diving in fresh, Volume 2 stands alone as a startling exploration of how songs and statecraft collide.

written and produced by DJ POOLHOUSE for Splish Klash / BACKKLASH © 2025

THIS IS THE MEGAMIX EDITION! FOR SINGLE TRACK EPISODES, AND VOLUME 1 OF THE EURODANCE CONSPIRACY, PLEASE VISIT:

ULTIMATE EURODANCE CONSPIRACY PROJECT HQ: https://backklash.substack.com/s/ultimate-eurodance-conspiracy-project

ULTIMATE EURODANCE CONSPIRACY PROJECT VOL 1 - begins here

TRANSCRIPT: THE CRYPTOPHONIC CONFESSIONS OF COUNT OTTO VON DIALEKTIK:

this is what the ultimate eurodance conspiracy project is about

I. Ordo Oktolektikos

Picture this: the octolectic. A system of systems, a college of corporations, a chaotic cybernetic organism, which the rulers of the world struggle to control. Within the innermost ranks of this OCTOLECTIC, there exist a tier of those who know and understand its workings, its protocols, its secrets. These are the elite, who take up many names and appearances. They dwell atop all key institutions of law, finance, commerce, and military.

What I am proposing is a world system not unlike that which George Orwell sketched in his selections from The Theory and Practice of Oligarchical Collectivism in 1984. That text, along with its notes on Newspeak, provides incredible esoteric insight into the true nature of statecraft as systems-control. Orwell and Poolhouse are both constructing portraits of the world machine as a hierarchical, occult synarchistic tripartite system, powered not merely through material dialectics, but by a cubik-dialektik—a matrix of control that goes beyond rules and regulations, and works through neuro-linguistic programming, ritual statecraft, and mystical semiotics. Perhaps it is itself a continuation of an ages-long struggle to impose order on chaos.

This requires a form of hidden statecraft beyond the familiar propaganda and population management of empires. It is an occult administration of commerce: agreed-upon notions of time, of weights and measures, of contracts, of circulation routes