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The Legal Salsa: Protecting Dance One Step at a Time
Season 5 Episode 25
Choreography copyright exists in a fascinating legal gray area where cultural ownership and legal protection often clash. When Alfonso Ribeiro attempted to claim rights to his iconic "Carlton Dance" from Fresh Prince of Bel-Air after Fortnite used it as a purchasable emote, his case was dismissed because the Copyright Office deemed the routine "too simple" - just three basic dance steps without sufficient originality. This ruling sparked crucial conversations about what makes dance protectable.
The landscape shifted dramatically when choreographer Kyle Hanagami sued Epic Games over a four-count hook from his registered routine appearing in Fortnite. When the Ninth Circuit reversed an initial dismissal in 2023, they delivered a game-changing perspective: "Reducing choreography to isolated poses is like reducing music to single notes." This recognition that even short sequences could embody original expression opened new possibilities for dancers seeking protection.
We explore how this legal evolution continues with Kelly Heyer's ongoing battle against Roblox for monetizing her viral "Apple Dance" without permission. With platforms earning substantial revenue from choreographic content, questions of fair compensation and proper licensing have never been more urgent. Meanwhile, international cases reveal how different jurisdictions approach dance protection - from China's rejection of single-pose copyright to Brazil's emphasis on proving tangible harm.
Through these stories, we distill five crucial principles governing choreography copyright: basic movements remain freely available to all; originality exists in arrangement rather than individual steps; even short sequences can qualify for protection if distinctive enough; evidence of harm matters as much as creativity; and courts continually seek balance between creator rights and cultural freedom. As dance moves from stages to avatars in the metaverse, these principles will shape how we value and protect movement in the digital age.
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Published on 3 weeks ago