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It’s like a horror movie. Crazed killer zombies are butchering men, women and children. They rape and torture with impunity. Hearts and souls dead to any semblance of humanity, they lust for fresh blood and vow to “erase every living being.” Though the worst mayhem is mainly limited to a 141 square mile strip on the Mediterranean, the catastrophe appears to be on the brink of escaping containment.

If Zionism is like a zombie movie, why not make a zombie movie about Zionism? Wait—that’s already been done. It’s called World War Z, and it came out in 2013, ten years before the Zionist genocide of Palestine shifted into overdrive.

Whether through serendipity or predictive programming, World War Z prefigured two colossal disasters that hadn’t yet happened at the time the film was made: the COVID pandemic and the post-October-7 genocide of Gaza. The plotline revolves around a virus-instigated global pandemic and the World Health Organization’s efforts to fight it. And the heart of the film is its Jerusalem sequence, in which the heroic Jewish State saves itself from the zombie virus by building a gigantic wall—until the wall is horrifically breached in scenes that seem to prefigure the phantasmagoric Israeli propaganda version of October 7th.

MondoWeiss’s Jesse Benjamin ably deconstructs the film in “Zombie Hasbara: ‘World War Z’ and Hollywood’s Zionist embrace.” Excerpts:

The Times of Israel may be only slightly exaggerating when it calls this “the greatest piece of cinematic propaganda for Israel since Otto Preminger’s “Exodus.” Not only is Israel’s fanatical Wall Building proven to be justified, against the hordes of undead invaders, and not only are Jewish victimizations paraded to justify the aggrandizement of Israeli military prowess, but it’s Israel’s supposed humanism, and multicultural inclusiveness, which in the end weakens the fragile post-apocalyptic state and allows the zombies to overrun everything….

Gerry (Brad Pitt)…picks up vital intel from a deranged CIA officer who suggest that answers lie in Israel, which has somehow managed to wall itself off from the plague, and also mysteriously seems to have known in advance that it was coming. Gerry says something about “they’ve been building walls for two millennia,” and then he’s off. Before the viewer can process whether the film is about to go down some post-9/11 Jewish conspiracy path, Gerry is landing in the Holy Land fortress-state to the site of slowly fluttering Israeli flag close-ups, triumphant marshal music, and confident IDF soldiers speaking in Hebrew, rushing around, smiling in soft filtered light close-ups…

…Gerry’s already informed the audience that wall building is natural to Israel, so the reinforcement of ancient and Separation Walls is plausible, and comes as not at all veiled justification of Israel’s current and widely condemned Apartheid Wall. He questions the Mossad chief on how he knew the threat was coming, and gets a lesson in