Podcast Episode Details

Whatever discipline that drove Parsons and Hillman to compose the music that appeared  on their first album completely disappeared once they had to perform live.  Most observers of their early LA club dates described them as under rehearsed, sloppy and with some members, frequently Gram, under the influence.  The band did themselves no favors when they appeared at the Whiskey, performing so poorly that the upper echelon of A and M walked out in disgust in the middle of the Burrito’s performance.

For his first solo album, he came up with the idea of hiring Elvis Presley’s Las Vegas backing band, which he did, paying musicians like Glen D. Hardin and James Burton out of his own pocket when Warner Brothers refused their steep rates.  Much of the record consists of duets with Emmylou Harris.  With rehearsals taking place at Phil Kaufman’s house, a surreal place furnished with strange antiques and vintage junk, the process was predictably slow moving.  Eventually, Gram got it together and got the album recorded.  Called “GP” with a cover photo of Gram sitting in the lobby of the Chateau Marmont, the album’s release prompted kind words from the critics but not much of a popular reaction.

Gram couldn’t afford the Elvis musicians for the tour and the assembled band was so weak that the lead guitar player was fired after only one show.  Kaufman frequently had to separate the two, husband and wife sitting as far away as possible.  But there were high points; Jock Bartley, who eventually became part of the successful group Firefall was a competent replacement.  In Houston, EmmyLou Harris met and performed with Linda Ronst

Published on 5 years, 3 months ago