Kempton Bunton and the Theft of Goya’s Portrait of the Duke of Wellington (Part One)

In 1961, an unemployed cab driver, Kempton Bunton, pulled off one of the most remarkable art thefts of the 20th century. Or did he?

Bunton’s mother named him Kempton Cannon Bunton after a British jockey, Kempton Cannon, who won the Epsom Derby only days before her son’s birth, June 14, 1904, a victory she financially backed. When asked about his unusual name, Bunton also always replied, “It’s Kempton as in Kempton Park racecourse,” as if to underscore his interest in such an edgy activity.

Francisco De Goya’s portrait of the Duke of Wellington

Arthur Wellesley, the First Duke of Wellington, became one of the most prominent military and political leaders of the British Empire during the first half of the nineteenth century. Despite spending approximately fifteen years in military posts that included the Netherlands and especially India, Wellesley remained an obscure commanding officer until his 1808 assignment to the Peninsula War, an extended conflict on the Iberian Peninsula combating Napoleonic occupation. This grueling struggle, combined with Napoleon’s disastrous 1812 invasion of Russia, depleted French military strength, and lead to France’s eventual capitulation. One of the key moments of the Peninsula War occurred when Wellesley, then the Earl of Wellington, achieved a decisive victory at Salamanca, which lead to the liberation of the capital, Madrid and the flight to Valencia of Joseph Bonaparte, titular king of Spain, and brother of Napoleon Bonaparte. The Earl entered the capital on August 12, 1812, at the head of his troops, the British hailed as liberators by Madrid’s grateful inhabitants. The Peninsula War dragged on laboriously until 1814 and the final collapse and abdication of Napoleon Bonaparte, but after Salamanca, Madrid was never reoccupied by French forces.

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Kempton Bunton and the Theft of Goya’s Portrait of the Duke of Wellington (Part One)