Episode Details

I wasn’t sure I’d be able to finish the Jake Tapper/Alex Thompson book, Original Sin. I downloaded the audiobook, narrated by Tapper, to listen to as I drive across the country from California to Ohio to see my daughter for her birthday.

Out my window, I see the same running commentary of the real America I witnessed years ago, which changed my mind about Trump and MAGA. When you see Trump’s name arising in unexpected places in nearly every state, from Arizona (“Viva Trump”) to Nebraska to Iowa to New York, you know something significant has shifted in this country.

It felt like a secret cry for help among forgotten and abandoned Americans.

I see it even now:

I was not encouraged by the book’s first chapter, which describes a world where the Democratic Party isn’t corrupt, where they don’t hand-pick candidates and then force everyone to “Vote Blue No Matter Who,” where identity politics don’t rule the day, and where the democratic process is allowed to play out.

What a load of garbage. To quote Deep Throat in All the President’s Men, “Oh, but it’s touching.”

Just imagine Gavin Newsom attempting to challenge Kamala Harris. She might be the world’s worst candidate, but all points lead back to her; you have to start there, whether they had a primary or not. They knew that, which is why they skipped the foreplay and went straight to a first-ever installed candidate for president.

So I didn’t think listening to an entire audiobook shaped by a false premise and awash in false media narratives would be a good use of my time. Maybe I’d listen to, I don’t know, the new Mark Twain biography.

As Victor Davis Hanson points out, Jake Tapper is an unreliable narrator because there would be no Biden cover-up if the media had done its job:

Had Original Sin been written by Tom Wolfe, Gore Vidal, or even Walter Kirn and Matt Taibbi, it would have been the searing indictment of a deep state plot foiled by Mr. McGoo, told with bemused irony. But it is dead serious, for better or worse.

But I must say, in the end, I’m glad I stuck with it. It might not be the definitive account of the rise and fall of a once-mighty empire I would have wanted, but it is a surprisingly revealing look behind the curtain all the same.

Could it really be that Jeffrey Katzenberg and Steven Spielberg were brought in to “direct” Joe Biden with better light, sound, and acting coaching? Yes. Could it be that Rob Reiner and Jane Fonda broke down in hysterics at some mansion in the Hollywood Hills after the debate? Yes.

If the aim was to scapegoat Joe Biden, they failed. He comes off as the most sympathetic, a victim of a massive machine of creeps that chewed him up and spit him out.

Do they legitimately believe we would sympathize with some fat cat in Hollywood who threatens never to write another check unless they push Biden out? We’re supposed to care about what the donors think?

Tapper seems to have emerged from the grim experience with a bit of a perspective shift. At least now, he’s able to talk about the problems the Democrats have in a way he hasn’t in the past ten years.

The value of Original Sin, at least for someone like me who fled the party in disgust in 2020 after watching them use their power to take our elections away from the people and decide their outcome, isn’t so much that there are any new revelations. But it’s a book written from the inside, with access to over 200 voices anxious to be heard. That meant following the events as they unfolded in real time, and let me tell you, there is pleasure in that.

I found it cathartic, not just because the Democrats had it coming, and got everything they deserved, but for the sheer joy of witnessing the most most powerful people in the world have their asses handed to them by the very democracy they claimed they wanted to protect.

That George Clooney, Steven Spielberg, and Jeffrey Katzenber