Episode Details

Episode 15. Van Halen IV...oh what tho could have been. Scotzo, Chaz, and Wolfie are joind by the Dave & Dave Unchained boys for a wild ride through the missed expectations and fan let down that was the hype, lead up to, and ultimate WTF it's over ending for the VHIII iteration of the band, as they were on the path to delivering a second record with Gary Cherone. Based on what we know, should it remain "in the stinker", or should some WB executive's kid dig the Van Halen "Love" CD out of that box in the garage from dad's old office and post it to the inter-webs? You be the judge...for ONCE.

Remember, Van Halen III Redux is the work of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Seaside Pod Review⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tom Petty Project⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ultimate Catalog Clash⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast host Kevin Brown and producer Scott D. Monroe, our own Scotzo. Listen to their ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Redux version of VHIII⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ that's lighter, leaner, and in some circles a means to salvaging the disc a producer in a different circumstance might have produced. Ahem.

Season 3 of the Regarding...Series - Welcome to the ultimate rediscovery of Van Halen’s most controversial album. 

At the outset, we represent a good spectrum of views: Wolfie is 100% no opinion on the album; Scott leans more positive but is in the middle and has some dislikes; and Chaz is … appreciative as a student of Edward Van Halen, and empathetic to his artistic cause, but not a big fan of the final output overall. To put it mildly. How Many Say Why is all they could be heard muttering to themselves, in a sea-shanty sort of sway. How Many Say Why? How Many Say Why? Proudly sponsored by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcastle.ai⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠fourstringmedia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, not by Romney's Everest Kendal Mints or Buffalo Chicken Wings in general.

The Show

In this season of Regarding…, the panel tackles KISS’s Music From The Elder one song at a time—testing whether its epic ambition holds up under scrutiny. Alongside the analysis, Scott D. Monroe’s original screenplay tries to turn the album’s abstract mythology into an actual story.

Ambition meets accountability.

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