Episode Details

The SFFaudio Podcast #828 – Treasure Island by Robert Louis Stevenson, read by Mark F. Smith for (LibriVox). This is a complete and unabridged audiobook (7 hours 22 minutes), followed by a discussion of it. Participants in the discussion include Jesse and Alex (Pulpcovers)

Talked about on today’s show:
is this the best or one of the best openings for a mystery adventure story?, not a misplaced word, hits the ground running, in media res, you’re probably wondering how I got here, I’m a boy, the old pirate shows up, scares everybody, a magazine publication, each chapter has something going on, not super episodic, continually exciting, quibble with things later, nothing in this book is bad, in terms of an opening, quality of homeiness and call to adventure, The Hobbit, the more you look at it the more stupid it gets, exactly that feeling, the backstory, who is this pirate?, the one legged man, cove that’s out of the way, the stories that he’s telling in the tavern, deleted from Treasure Planet (2002), not bad, circle back, the father, he never gets adapted, it’s important, the whole particulars, the bearings of the island, 17 blank blank, when my father kept, saber-cut, the father dies during the stay, we don’t know a whole lot about him, will not confront, the huge bill that keeps piling up, Jim Hawkins will confront him every month, quite dire, took on someone else’s fears, turns him into a spy, steams his nose, anger and fearsomeness, will always pay, so awesome, way superior, the backstory in The Hobbit, a dwarf kingdom that needs reliberation, a character that’s drawn in a backstory mystery, live a quiet life, a Heinleinian style hero, his mom seems fine, there’s something wrong with his dad, my dad is broken, fairly timid, dies right before the actual leaving, before the tavern gets trashed, adventurous company, why Jim goes, allows him to go out, just gonna leave your mom?, so central to the experience of the book, this Long John Silver character, surrogate uncle/father figure, the thing that makes this a legendary s-tier book, the relationship, highly competent (sort of), good hearted/mean hearted, an interesting character, sympathies, Ben Gunn, Captain Smollett, such a great guy, its something like a Heinlein juvenile, the Disney one, an adaptation highlights, a gender flip, not a lot of women in this book, a little romance, side romance, the parrot, Captain Flint, an alien, Aladdin (1992), clockpunk?, super radical space surfing, the father left the mother, why the cyborg (instead of the one legged man), very huggy in the film, they’re more like this is a man I can model myself on/against, a great example, of goodness and evil, adds resentment, they burn down his farm, sense of intrigue, adventure and wealth, draw ourselves into, Bilbo Baggins or any Heinlein juvenile character, attracting you into the book, even the backstory, the old sea-song, there’s a map, Long John Silver, yo ho ho and a bottle of rum, the black spot, x-marks the spot, re-used throughout the book, a reminder of the plot, The Cannonball Run (1981), what the plot is, sailing towards that destination, the apple barrel scene, very Mark Twain, Huckleberry Finn, becomes the hero, the speeder run in The Phantom Menace, a thing to do, chariot racer, in the coracle, spike the guns, cut the line, reverses, a lot of stuff to do in an almost plausible way, a dumb idea, he’s not a superhero, doesn’t have midichlorians, bumbles his way through it, his plan is screwed from the very beginning, a very good evil plan, they’re already planning to kill us, hold the pirates together, who’s going to be captain, highly influential, Survivor, tiki-stuff, every single pirate story owes 75% of its DNA, the other 24 percent is Peter Pan