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GVP #139 - Vegan Agenda Roundtable
Published 7 years ago
Description
A highly topical subject comes under the spotlight for a four-way roundtable conversation. Sean McCann, Jo Lomax and Nathan Riddett guest to discuss the current social-engineering push to promote Veganism. We all agree that the reason this is getting done WON'T be out of the elite controllers' compassion and concern for all living sentient beings - particularly when the likes of Bill Gates, Richard Branson, Russell Brand and Beyonce have been playing their part in the push. This leaves us to reflect on the REAL reasons for the co-ordinated agenda, now being ramped up at record speed.
The show ends with Sean McCann giving his thoughts on Carnism, (meat-eating,) as depicted in Stanley Kubrick's mindblowing '2001: A Space Odyssey' movie, and its relation to the Biblical creation myth, Darwinism, satanism and human consciousness.
The 1973 movie 'Soylent Green,' as discussed in the show, can be viewed for free online here:
P1:
https://www.dailymotion.com/video/x6f3kgg
P2:
https://www.dailymotion.com/video/x6f2i4p
Sean McCann's essay on Carnism as depicted in '2001: A Space Odyssey' is as follows:
2001 a space odyssey by Stanley Kubrick is a very misunderstood film with many esoteric subplots running through it. We all know the film depicts an alien force communing with Apes to influence our evolution as a species. What I propose is that Kubrick melds together Christian and Darwinist beliefs and uses carnism to illustrate a satanic mindset of violence and domination.
The first chapter of the film is where these allusions can be found. The opening scene is titled “The Dawn of Man”. This title makes the viewer subconsciously relate the following scene to Genesis chapter one of the bible. Kubrick displays the landscape (the Garden of Eden). He then shows us an ape in the Garden, this is where Kubrick melds the two belief systems to show us the same theme runs together. The ape is Adam, the first man/the missing link of Darwinist theory. Furthermore, this combination allows most viewers to accept the premise that this is a plausible “Dawn of Man”. Now that the viewers have accepted this ape represents Adam in the Garden, Kubrick depicts the animals which share the Garden with ancient Mankind. The next scene shows the apes living peacefully in the Garden with pigs. The apes are shown to be eating plants. Kubrick then shows the apes and pigs fighting over the plants available (limited resources). Though they have conflict, no one is harmed, and they continue to co-exist peacefully.
We are then shown two bands of apes and their conflict over access to a watering hole. The conflict only involved loud hollers and posturing. No violence involved. The apes are depicted as prey as an ape is killed by a cheetah. The next scene depicts the apes huddled under a rock at night as they listen to the nocturnal beasts’ hunting, riddled with fear. The next morning, the apes wake up to find the black Monolith standing before them. This represents the satanic force, the snake who appears in the garden. Kubrick depicts it as being a black cube with the same dimensions as the movie screen the viewers are watching. It is also obviously not of this world. It has smooth planes and sharp angles, much different from the apes’ immediate environment. The apes are afraid at first and then their curiosity helps them overcome their fight or flight response. One ape touches the Monolith, then all the others do as well. This touch is the communion with the satanic force. The next shot is from the base of the Monolith looking up at the sun in alignment with the moon. The angle of the camera distorts the shape of the Monolith. The perspective transforms the rectangular face into a trapezoid. The trapezoid is an important symbol for Sa
The show ends with Sean McCann giving his thoughts on Carnism, (meat-eating,) as depicted in Stanley Kubrick's mindblowing '2001: A Space Odyssey' movie, and its relation to the Biblical creation myth, Darwinism, satanism and human consciousness.
The 1973 movie 'Soylent Green,' as discussed in the show, can be viewed for free online here:
P1:
https://www.dailymotion.com/video/x6f3kgg
P2:
https://www.dailymotion.com/video/x6f2i4p
Sean McCann's essay on Carnism as depicted in '2001: A Space Odyssey' is as follows:
2001 a space odyssey by Stanley Kubrick is a very misunderstood film with many esoteric subplots running through it. We all know the film depicts an alien force communing with Apes to influence our evolution as a species. What I propose is that Kubrick melds together Christian and Darwinist beliefs and uses carnism to illustrate a satanic mindset of violence and domination.
The first chapter of the film is where these allusions can be found. The opening scene is titled “The Dawn of Man”. This title makes the viewer subconsciously relate the following scene to Genesis chapter one of the bible. Kubrick displays the landscape (the Garden of Eden). He then shows us an ape in the Garden, this is where Kubrick melds the two belief systems to show us the same theme runs together. The ape is Adam, the first man/the missing link of Darwinist theory. Furthermore, this combination allows most viewers to accept the premise that this is a plausible “Dawn of Man”. Now that the viewers have accepted this ape represents Adam in the Garden, Kubrick depicts the animals which share the Garden with ancient Mankind. The next scene shows the apes living peacefully in the Garden with pigs. The apes are shown to be eating plants. Kubrick then shows the apes and pigs fighting over the plants available (limited resources). Though they have conflict, no one is harmed, and they continue to co-exist peacefully.
We are then shown two bands of apes and their conflict over access to a watering hole. The conflict only involved loud hollers and posturing. No violence involved. The apes are depicted as prey as an ape is killed by a cheetah. The next scene depicts the apes huddled under a rock at night as they listen to the nocturnal beasts’ hunting, riddled with fear. The next morning, the apes wake up to find the black Monolith standing before them. This represents the satanic force, the snake who appears in the garden. Kubrick depicts it as being a black cube with the same dimensions as the movie screen the viewers are watching. It is also obviously not of this world. It has smooth planes and sharp angles, much different from the apes’ immediate environment. The apes are afraid at first and then their curiosity helps them overcome their fight or flight response. One ape touches the Monolith, then all the others do as well. This touch is the communion with the satanic force. The next shot is from the base of the Monolith looking up at the sun in alignment with the moon. The angle of the camera distorts the shape of the Monolith. The perspective transforms the rectangular face into a trapezoid. The trapezoid is an important symbol for Sa