Episode Details

The SFFaudio Podcast #826 – The Aeneid by Virgil [Books I – IV] read by George Allen (for LibriVox) and translated by John Dryden. This is the first third of the epic poem, books I to IV (comprised of XII Books) running 3 hours 52 minutes, followed by a discussion of them. Participants in the discussion include Jesse, Scott Danielson and Alex (Pulpcovers)

Talked about on today’s show:
books 1 to 4, a humanities course, misspoke, The Iliad, a hard downshift to reading the Aeneid vs. living on twitter, opposite end of the spectrum, young people don’t watch a lot of movies anymore, even TV shows are generally for old people, The Only Murders In The Building, boomers or slightly younger, bet money, this didn’t actually happen, invited Virgil over for dinner, it’s 9 hours, bro, people would and could do it, you’re in a different headspace, a different mode, the material is familiar, reading this on paper, easy reading on paper, following along in print, Robert Fagels, John Dryden, the footnotes, sometimes the footnotes contradict Jesse, who is Aeneas’ mom, the goddess Venus, she’s a huntress, dressing up like Diana, sometimes they’re not behaving in the way that is most stereotypical, reflecting, the opening, the retelling, mapping The Odyssey, book 3 especially, one to oney, Homer, Virgil was a real dude, 100% known, a merging of some things, existing myths about Aeneas, crafted an overarching story, popular myths, strikingly different, a work of art by a particular individual, all about prophecy, just Roman history, subsumed by the Roman Empire, a national epic done folk hero style, Robin Hood, national epic propaganda style, saying Shakespeare wrote to get approval of the queen, this doesn’t feel as mythological, reliance on gods for everyday events, Augustus, from town to town, died before he finished it, not in 20 years, a really cool noir ending, its finished, wanted to have it burned, not good enough, his heirs, his literary estate, copyright didn’t exist back then, George R.R. Martin, more drafts, how you write an epic poem, the pentameter wasn’t quite right, a meter problem, forced rhymes, pretending you can rhyme things, funnier, poems should be hilarious, helps tell the story, Beowulf, the translation, failed Latin, Latin 101, greater shames in life, written in Greek or Latin, this translation tries to feel epic poetry, modern post-critical translation, words that will shock you, twist the meaning, the feel, someone just telling a story, structured that way on the page, accept it without a rhyme, prose translation, a phone call, edited an annotated and compiled, Arms and the man I sing, haughty Juno, long labours both by sea and land he bore, Latian realm, built his destined town, long glories of majestic Rome, so brave, so just a man, first part of book 1, very different, an exile driven on by fate, destined to reach Lavinia soil, cruel Juno’s relentless rage, before he could found a city, the same idea, same material, not as pretty, not as poetic, easier to understand, sounds better when you read it, a very busy week, hard to pick up what’s happening, sometimes the backwards is grammar, to make it it, Maissa was going to be here, compared to The Odyssey, a very boy book, not a girl book, marriage, Juno being mad, childbirth and marriage, picks up his father, takes his son by his hand, leaves his wife behind, new wives, a nice lady there, wants to have him in bed, a serious succession of goddesses, widow, ok, destiny, I am very Roman virtue, honoring thy father, Imma kill myself, I curse you, the feel, we notice and know, comes back all by himself, loses some ships, war with the Latins, he’s still got his people, not an individual’s return home, Philip K. Dick, a man experiencing the world, Beyond Lies The Wub, a similarity