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HORROR BUSINESS Episode 82: DARK AGE & ROGUE
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Greetings, and welcome back to Horror Business. We have one awesome episode in store for you guys. In this episode we’re talking about 1987’s Dark Age and 2007’s Rogue.
First and foremost, we want to give a shoutout to our sponsors over at Lehigh Valley Apparel Creations, the premiere screen-printing company of the Lehigh Valley. Chris Reject and his merry band of miscreants are ready to work with you to bring to life your vision of a t-shirt for your business, band, project, or whatever else it is you need represented by a shirt, sweater, pin, or coozy. Head on over to www.xlvacx.com to check them out. Also, thank you to our Patreon subscribers. Your support means the world to us and we are eternally grateful for that support. Thanks!
We start by talking about what we’ve done involving horror recently. We talk about the trailers for the films Random Acts Of Violence and She Dies Tomorrow and attending the Mahoning Drive-In’s annual Zombiefest. Liam talks about seeing the documentary You Don’t Nomi and Justin talks about seeing Relic.

Up first is Dark Age. We begin by talking about the concept of Ozploitation filmmaking, and how oftentimes such films are just as much about Australia as they “what they’re about”. We talk about how the film centers upon the idea of “colonial guilt and anxiety”.

We discuss the “magical indigenous person” trope and our unfamiliarity with Aboriginal Australian culture. We briefly talk about the nature of atrocities against Aboriginal Australians and the concept of ‘50s westerns fetishizing Indigenous Americans.

The concept of Oodoban as an unreliable narrator, which diverges from the “indigenous Aboriginal” trope, is touched upon. We talk about the uneven nature of the crocodile prop and how sometimes it looks great and other times it looks silly.
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