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HORROR BUSINESS Episode 145: SILENT NIGHT, BLOODY NIGHT & THE DAY OF THE BEAST
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Greetings, and welcome back to Horror Business. We have one awesome Christmas episode in store for you guys, because we’re talking 1972’s Silent Night, Bloody Night and 1995’s The Day Of The Beast.
First, and as always, thank you to our Patreon subscribers. Your support means the world to us and we are eternally thankful. If you would like to become a Patron, head to patreon.com/cinepunx. Thanks in advance! Also, a huge thank you to the fine folks over at Lehigh Valley Apparel Creations, the premiere screen-printing company of the Lehigh Valley. Chris Reject and his merry band of miscreants are ready to work with you to bring to life your vision of a t-shirt for your business, band, project, or whatever else it is you need represented by a shirt, sweater, pin, or koozie. Head on over to www.xlvacx.com to check them out. Thank you also to Essex Coffee Roasters, purveyors of freshly roasted coffee and doers away with of coffee elitism! Head to www.essexcoffeeroasters.com to check out their fine assortment of coffee and enter CINEPUNX in the promo code for ten percent off your order! Also thank you to Paul Sharkey for his MANY technical contributions to this show and others on the Cinepunx network. Head to www.mechanicalsharkmedia.com for all your miscellaneous production (and mechanized shark!) needs!
We start by talking about what we’ve done involving horror recently. Liam talks about re-watching Onyx The Fortuitious, as well as the newest Godzilla jawn, Godzilla Minus One, and the Robert Kirkman comic, Oblivion Song. Justin talks about the films Night of the Hunter, It’s a Wonderful Knife, Baby Blue, A Creature Was Stirring, and The Sacrifice Game.

Up first is Silent Night, Bloody Night. We talk about how heavily the Warhol crew was involved in this film and Justin posits the film functions better as a mood than an actual story. Liam talks about how it reminds him of Shriek Of The Mutilated in that on paper, it sounds great, but the movie itself wasn’t that great; it has some lackluster pacing and odd exposition, despite overall being engaging.
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