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The SFFaudio Podcast #817 - AUDIOBOOK/READALONG: The Last Space Ship by Murray Leinster

Episode 817 Published 1 year, 3 months ago
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The SFFaudio Podcast #817 – The Last Space Ship by Murray Leinster – this is a fixup novel, made from three stories:

The Disciplinary Circuit, read by Phil Chenevert, 1 hour 35 minutes (for LibriVox)

The Manless Worlds, read by Vinny Lerin, 1 hour 43 minutes (for LibriVox)

The Boomerang Circuit, read by Paul Lawley-Jones, 1 hour 57 minutes (for Golden Age Fiction)

These are complete and unabridged readings of the three stories that make the one novel (totaling 5 hours 16 minutes) followed by a discussion of them and it. Participants in the discussion include Jesse, Maissa Bessada, Will Emmons, Terence Blake, and Jonathan Weichsel.

Talked about on today’s show:
the last Terence Blake, the newest, the youngest, The Last Space Ship, a cowboy story, famous in the one genre, some problems with this novel, really loving it for the first third, fell apart, the last spaceship crashed, not literally, William Sky, available on Librivox in three seperate peices, audiobook available, the books are public domain, The Disciplinary Circuit, The Manless Worlds, a good way to sell, lied to, betrayed, The Boomerang Circuit, why am I still not happy with this book, the very end, 2nd and 3rd installment, the problem with series, excited about the premise, exhaust the premise, essentially, a me problem, you could tell it was an unedited a fixup, you can tell it was serialized, repetitions are necessary in a serial, not technically a serial, not intended to be a novel, a series character, barely a book market for science fiction, the fixup became a thing, a guy goes to a planet, summarizes, extremely tedious, his job or an editor’s job, two years after, three seperate “novels”, used to mean something different, in the prechat, novels in Weird Tales, The Man Who Loved Planks, novellete, official wordcount, Lord Of The Rings isn’t a novel, one big volume, it’s something, a weird technical definition, three separate stories that were long, Last Space Ship, the opening segment, not so sure about that, a bite at the end, the mayor of somethingHeim, doesn’t ever get a name, recurring characters without names, Steadheim, the colony organizer, political leaders, good point Will, 1984, Brave New World, political science fiction, and more stuff happens, the premise follows logically, our hero Kim is down there swanning around, a disheveled lady, we don’t need men!, get off of my planet!, the wife handles this, what women are and what men are, funny and interesting, wasn’t well executed, flatly written, repeating himself, over and over, no depth to it, no layers, driving on a very straight line, when there’s an hour left in the story, I’ve heard this a million times, what it turns into is space opera, it starts off with hard SF, not paid off, become suspicious, a transporter space ship, a little Larry Niven-like, Yankee ingenuity statement, Kim’s ability to do literally anything, an ideal subject, men without government, silly, a point to it, went to the beginning of time, it was impossible to get back, wife say something inspiring, that was good, reciprocal, what that can provoke, sexist, too many times, that was just their way, Heinrich von Kleist [“On the gradual formation of thoughts in the process of speech”], near random conversations, from a philosophical pov, the competent man can’t change a paradigm, but nobody’s ever thought of this, a German romantic, a book setsup expectations, subverts expectations, breaking its own rules, the worst rule that this book broke, that’s a deforming balloon of a spaceship, to trick other spaceships, but they’re building them

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