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Back to EpisodesEWABS Ep 142 May 5th, 2014 with Noelle Romano, voice coach
Published 12 years, 2 months ago
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Episode 142, May 5, 2014
Guest: Noelle Romano, voice coach from Edge Studio
George presents a “Whittam’s World” on pre-fab vs. DIY isolation booths
Dan talks about World Voice Over (WoVO) membership
0:04:40 Dan talks about WoVO Con One, the first conference of World Voice-Over. One of the best he’s been to. It began two years ago, as an industry organization for voice-over. Coming up: resources and people so WoVO can be the “voice of the people who speak for a living,” all over the world. There’s now a plan for a special website to promote members’ work. Join WoVO to help make the industry better for everyone. To learn more go to: http://www.worldvo.org/ The meeting was very productive. There was a demo of all three online ISDN replacements. People worked together.
0:11:04 George asked what it takes to join. You have to be a working professional. It’s a member-driven organization.
0:14:32 Break
0:16:47 They’re back. The latest with Studio Suit: Dan has a bunch and will ship! Hang it up and it works. http://www.vostudiosuit.com/
0:17:25 George’s “Whittam’s World” (Episode 22) on isolation booths: build your own or pre fab? The “usual suspects” in pre-fab are similar and start at $4000.
1) George suggests consider looking at resale value if you may have to move soon.
2) Did you consider buying a used booth? Not so hard in L.A., but elsewhere it might be harder. Used booths can cost $3000 and hold their value pretty well.
3) Do you have time to build a booth? Are you missing work without the booth? The do it yourself booths take a lot of time to put together, far longer than you might expect.
4) How good are you at building? Do you have skilled friends? Dawbox plans aren’t the best and depend on your skills in building.
5) Acoustical treatments—all these need more than what they come with. They need denim panels (http://www.atsacoustics.com/) or other material. Some booths have pre attached foam that you need to work around. NONE have adequate acoustical treatment out of the box.
Send questions for “Whittam’s World” to George at whittamsworld@edgestudio.com. For one-on-one consulting, go to http://vostudiotech.com/ The video ended at 0:26:49.
0:26:50 George continues discussing the topic. George talks about Scott Peterson of L.A. (on Facebook) who makes collapsable, custom booths. https://www.facebook.com/scottsvobooths. Not available out of L.A. area. He cautions: often, the better the isolation, the worse the acoustics. It takes effort to make it all work.
0:29:19 Break
0:30:45 They’re back, with a rant about looping software.
0:31:16 Noelle comes on. She introduces herself and how she got into VO.
0:35:45 She specializes in coaching children!
0:38:40 George asks what if he brought Ella in.
0:40:30 What does it mean for a kid to be “competitive”? It comes down to how well a kid can take direction and how consistent are they? Are they enjoying it? Are they understanding it?
0:44:37 How important is it for a kid to have an agent? It’s important for getting access to bigger brands and clients. Otherwise, it would be a big workload for the parent. It’s up to the parent.
0:46:30 George asked about successful kids. Noelle tells of a mom who made sure her daughter got lessons as well as work.
0:49:50 Live spot for Edge Studios.
0:51:01 George talks about his month-long special on TwistedWave effect stacks for $37.50. Coupon code: TWStackMay14.
0:51:53 Q: Do you teach Skype sessions, Noelle? A: Yes!
0:52:25 Q: What percentage of work is going to actual kids compared to adults doing kids? A: It depends on the style of the show. In the pre-school world, it’s more likely to be a kid. For ages 7-14 and above, it tends to be adults doing kid voices. A problem with kid voices is that the kids grow up and their voices change!
0:54:43 Q: Does child acting work translate to adolescent and adult work? A: Noe