Episode Details
Back to EpisodesEWABS Episode 164, November 3, 2014 with Townsend Coleman
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Show Log
Episode 164, November 3, 2014
Guest: Townsend Coleman, voice of Michelangelo, one of the Teenage Mutant Turtles
George answers questions
Dan’s Tip of the Week will be about studio monitors
0:01:46 Here they are!
0:03:14 Sponsors: Harlan Hogan at VoiceOver Essentials, Edge Studio, and VoiceZam!
0:04:14 EWABS NEWS (minus the bumper). George talks about the Behringer mixer, the XR12 X Air Mixer: http://www.behringer.com/EN/Products/Xr12.aspx/. It can be controlled remotely with any device. The price is good, too.
0:05:28 Dan has news about Harlan Hogan’s new book, http://www.amazon.com/VO-Tales-Techniques-Voice-over-Actor/dp/1581152493 Hear excerpts at VoiceOverXtra.com
0:06:37 George says there’s a new Tesla museum being built in New Jersey. igg.me/at/bricks-for-tesla/x
0:08:02 New sponsor, VoiceZam! Find out SamFusion!
0:13:33 Dan and George are back.
0:13:57 Break. Home Studio Master.
0:14:57 The Two Radiant Celestial Brothers.
0:15:12 They’re back with questions via SpeakPipe.
Q: A new VO actor wants advice on mic and preamp within his budget.
A: Dan says, start with basic gear. Work on your mic technique, room acoustics, and performance first. His super cheap mic sounds just FINE! The new Scarlet Solo might be an option. The VO1-A from Harlan Hogan might work, and others.
0:19:27 Q: How do I connect Apollo Twin Duo to a hardware mixer. A: George gives the details.
0:23:40 Tip of the Week: Studio Monitors. Dan talks about “Close field monitors” and the limitations of headphones.
0:27:36 George talks about how headphones can help. He prefers them for audiobook production because the end-user will likely hear the audio that way. Hear more on Whittam’s World, Episode 46. https://www.youtube.com/watch?v=-fWtpoQGOxY where George talks about monitors and headphones pluses and minuses.
0:28:53 Break. VO Studio Tech. Spongebob.
0:30:25 They’re back, in hysterics! Townsend Coleman is the fun guest.
0:32:00 Dan runs through Townsend’s credits.
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