Episode Details

In this episode, we welcome Matthew Heineman. Matthew is an Oscar-nominated and Emmy-winning director of projects including American Symphony, Cartel Land, Retrograde, The First Wave, “The Trade,” “Tiger,” City of Ghosts, and A Private War. In our conversation, he shares all about the origins of his documentary career, his workflow, and experiences working in war zones, pandemic environments, and other hot spots. Matthew also talks about his influences, mentors, and other insights from a life creating some of the best non-fiction films in recent years.

“The Making Of” is presented by AJA:

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Masters of Shadow: The Cinematography of Horror

Join Band Pro and "The Making Of" for an evening of chilling insights into the dark side of filmmaking with Mark Irwin CSC, ASC, James Kniest, and Polly Morgan ASC, BSC. Moderated by Mike Valinsky, these three master cinematographers will share their creative approaches to horror filmmaking.

Mark Irwin CSC, ASC is known for his work with director David Cronenberg on iconic horror films such as The Fly, Scanners, Videodrome, and The Dead Zone, as well as Wes Craven on Scream and New Nightmare. James Kniest has terrified theater and streaming audiences alike with Annabelle, "American Horror Stories,” "The Haunting of Bly Manor," and "The Midnight Club.” Polly Morgan ASC, BSC lensed the blockbuster hit A Quiet Place Part II, as well as The Woman King, Back to Black, and Where the Crawdads Sing.

After the panel, Band Pro will host a Halloween-themed happy hour for filmmakers to mingle over food & drink, explore product demos, and a raffle loaded with filmmaking gear and horror memorabilia!

Free passes here

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Featured Book:

Lessons from American Cinematographer: Sharing Nearly Three Decades of Tips & Techniques from the World's Top Cinematographers — A Shot Craft Companion

For nearly three decades, Jay Holben has a been a contributor for American Cinematographer magazine and has had the opportunity to sit down one-on-one with the top cinematographers in the world. As a cinematographer himself, Holben used this extraordinary privilege to not only discuss the ins-and-outs of a particular movie being covered, but to "pick the brains" of the best cinematographers on the planet. This rather selfish approach to his journalism afforded Holben the chance to fill his creative toolbox with tips and techniques from the true masters of the art. These treasures of