Episode Details

In this episode, we welcome Craig Yanagi, National Product Manager at JVC Professional Video. In our chat, we learn about Craig’s roots, education, and experiences working for Sony Electronics, as well as JVC for the last twenty years. He shares about a wide range of camera systems, including the DVCAM, where he helped usher in its pairing with Final Cut Pro’s workflow. Craig also sheds light on other evolutions in digital cinematography — and about solutions he’s involved with today.

Pictured above: Craig Yanagi, Megan Cunningham, and Albert Maysles.

“The Making Of” is presented by AJA:

Uncover exciting new AJA tech for production and post workflows.

From KONA IP25, AJA’s new SMPTE ST 2110 I/O card, to OG-ColorBox, an openGear version of AJA’s ColorBox color management and conversion device, AJA announced exciting developments at IBC 2024. Explore these tools, alongside new AJA Diskover Media Edition plug-ins and enhancements, a Virtual KONA technology preview, and more here.

Masters of Shadow: The Cinematography of Horror

Join Band Pro and "The Making Of" for an evening of chilling insights into the dark side of filmmaking with Mark Irwin CSC, ASC, James Kniest, and Polly Morgan ASC, BSC. Moderated by Mike Valinsky, these three master cinematographers will share their creative approaches to horror filmmaking.

Mark Irwin CSC, ASC is known for his work with director David Cronenberg on iconic horror films such as The Fly, Scanners, Videodrome, and The Dead Zone, as well as Wes Craven on Scream and New Nightmare. James Kniest has terrified theater and streaming audiences alike with Annabelle, "American Horror Stories,” "The Haunting of Bly Manor," and "The Midnight Club.” Polly Morgan ASC, BSC lensed the blockbuster hit A Quiet Place Part II, as well as The Woman King, Back to Black, and Where the Crawdads Sing.

After the panel, Band Pro will host a Halloween-themed happy hour for filmmakers to mingle over food & drink, explore product demos, and a raffle loaded with filmmaking gear and horror memorabilia!

Get your free passes here

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KISS ME QUICK BEFORE I SHOOT

This film memoir is all about the magic of filmmaking and forging a cinematic personal life in Hollywood. It includes stories of a producer turning out to be the assassin of the Mafia boss who allowed The Godfather to film in NY; to shooting the pyramids of Egypt for Battlestar Galactica; to directing a grumbling Mr. T on The A-Team; to almost decapitating a young Drew Barrymore right after ET; and to unwittingly almost delaying James Cameron’s early career! It is full of invaluable experiences and unique industry stories of a celebrated film/TV career, and should be required reading for every film lover.