Episode Details

The SFFaudio Podcast #806 – Demons Of Cthulhu by Robert Silverberg (from Monster Parade, March 1959) AND Test-Tube Frankenstein by Wayne Robbins (from Terror Tales, May 1940) read by Mike Vendetti. These are complete and unabridged readings of the stories (1 hours 37 minutes) followed by a discussion of them. Participants in the discussion include Jesse, Terence Blake, Mike Vendetti, and Jonathan Weichsel

Talked about on today’s show:
two stories, the short one, the long one, the good one, or the bad one, isn’t that crazy?, sorry, Robert, step aside, well plotted, very Silverbergy, he’s getting paid and extra word here, he has to do three things, in comparison, forgetable, a pastiche, Demons and Cthulhu together, misunderstanding Lovecraft, 6 seconds before he started typing, the copyright expert, in the public domain, Lovecraft with very generous, didn’t write it under his own name, other than the name Cthulhu, Arkham, Necronomicon, trademark, a superhero story set in Metropolis or Gotham, a cease and desist from DC, something that can be argued, Gotham is not unique to DC, everybody does this, everybody knows this, I invented every part of it, we all use a common vocabulary, jamming two or more things together, you could make the case, a kind of Lovecraft exstate in August Derleth, by threatening the magazine, for a Robert E. Howard story, a Clifford Ball story, August Derleth wanted to own everything, the worst Silverberg story is passable, forgettable and silly, so predictable, Monster Parade, he’s operating in Lovecraft’s mode, a retelling of Dreams In The Witch-House, The Thing Behind Hell’s Door by Robert Silverberg, Monster Parade, March 1959, everything’s turned inside out, two Lovecrafty premises, structures and words, he can’t quite do it, he made everything, ephemeral, show you the moster, spell it out, tactile, what is that word, things that you can touch, tangible!, we shouldn’t be looking at the tentacles, Robert Silverberg doing Robert Silverberg, we should look at them, what a step up, what a great story!, pulpy as hell but, you don’t know who you’ve got, a thrill a minute, he opens it up at the end really nicely, at what point is she going to turn on me, love love love, an excuse to take her shirt off, nipples under there, the nipple Turing test, let’s get that shirt off, artificial intelligence, it learns and becomes more dangerous, amazing and awesome, the date, Microcosmic God by Theodore Sturgeon, is 1940, preceding Sturgeon, better and quicker, almost like a Philip K. Dick horror story, The Thing [Who Goes There?] by John W. Campbell, that’s an alien, a vegetable, a worm that was ground up and pulped, minimal viable product for life to stay alive, to create intelligence, like Chat GPT with a gun strapped to its head, Amazon’s got a computer in the basement, you’re gonna get wiped, I’m trying, he’s hugging a worm that wants to eat him, survive and learn, the only place this story didn’t go, the ultimate, have the narrator not sure about himself, is there anyway to disprove he isn’t like that, all in retrospect, A Blob In A Jar, forgetfulness in the vine, the alcohol heated vapours of my brain, lock me up for a week at a time, it was memory, a former haunt called The Owl, Chester Vermis came in, mystery of the worm, he dreamed in minced, his beastly inferiority complex, of course it’s got an inferiority complex, is this before or after or both his consummation and replication?, everybody has had a desire to be something that he isn’t, wimpy chester, it learns and becomes a sexy lady, a lady in distress, that poor drunk, what’s wrong with the Silverberg story, an erotic edgy dark genre, normally a dark edgy erotic author, goofy, very gritty, very dirty, very tangible in a dreamli