Episode Details

The SFFaudio Podcast #804 – The Mad Planet by Murray Leinster, read by Roger Melin. This is a complete and unabridged reading of the story (2 hours 44 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Miassa Bessada, Will Emmons, Terence Blake, Alex (PulpCovers), and Jonathan Weichsel.

Talked about on today’s show:
Argosy 1920, posthistorical, prehistorical romance, H.G. Wells, Jack London, Stanton A. Coblentz’s The Wonder Stick, an Edgar Rice Burroughs book set on Earth, Under The Moons Of Mars, the princess, thoughts and loins, no dialogue, can communicate a little bit, he had no words, he speaks in a masculine way: a war cry, internal monologue, an external narrator, he looks just like rodin’s thinker, very well realized world, a nice Virgil Finlay illustration, butterflies and moths and giant, mushroom fire, bright and colourful pulp, colourful dark pulp, a very dark world, giant insects, apocalyptic taken the extreme, a natural apocalypse, global warming, very subversive of him, unintentionally so, carbon emissions, fissures underground, carbon capture, vast reservoirs, the african lakes that suddenly burps, everybody dies, offshore, frozen methane at the bottom of the sea, free methane, carbon captured a long time ago, this will happen this has happened, with humans is the shocker, very Clark Ashton Smith world, gone to Venus, heavy growth, pulp Venus Earth, the shape of the story, one guy out in the woods for the whole book learning things, not much of plot, great setting, unique, kinda slow, their ears wiggle, the smartest, the fastest, John Carter inspired superman, atavistic throwback, his ancestor was John Carter, I could make shoes, stick it with this poky thing, not even hunter gatherers, just gatherers, didn’t make it through 8th grade, an autodidact, inventor’s lab at home, The Last Spaceship, genius inventor, being your standard 1950s smart guy, way behind the slowest of our forebearers, a progenitor, the beginning of the new, the minimal plot, The Cave Girl, The Men In The Walls by William Tenn, Will’s second show, a great funny story about a human future where giant aliens (bigger than skyscrapers), women have litters, the alien kitchen crumb, theirs cockroaches all over this house, sprayed with chemicals, the insects are now giant and the humans are small, Fantastic Planet (1973), a french movie, breed with this other pet, more like pests (than pets), the reversal, we do care for our pests, a mouse in your house, maybe some vegans don’t, feral humans, levy whatever critique, enjoyable setting, where William Tenn succeeds, anthropology or sociology, an uncle, way deeper, like a savage or a child, it failed on the level of having interesting characters, breathing toxic fumes, doesn’t come across like a satire, an Edgar Rice Burroughsy feel, the setting is the showcase, indomitable human spirit, extreme environments, the spark still survives, rekindle the human flame, the connection to Burroughs, what if this was a little more realistic, using the weapons, I can leap really high, work and think and develop, the guy in The Cave Girl, cook meat or whatever, a framework to allow our guy to climb back up, a plot device, small triumphs, the line near the end, Burl saw the mighty armour, envied him his weapons, the juicy flesh contained in those armoured limbs, he need flee, in his hands he bore a long sharp chitinous spear, there’s no wood, remaster the earth, the dawn of a new-mankind, the proto-human in 2001: A Space Odyssey (1968), and he won the girl, he did it for the girl, that was terrible, a voyage into weirdness, CO2 in excess, they’re not really trees, gets back home and gets the girl, nothing innovative ther