Episode Details

Jesse, Paul Weimer, and Terence Blake talk about The Terminal Man by Michael Crichton

Talked about on today’s show:
Terry!, Playboy, March 1972, a novel in book form, where they features author, Playbill, the Jules Verne of our time, a Fellow at the Salk Institute, three pseudonyms, Dealing, a Warner Bros. release, a lot of money in 1972, re-write Frankenstein, rewriting Dracula, take my own life in 1973, 15,000 words per day, he’s going to direct, where Crichton starts ramping up, The Andromeda Strain was huge, 1971 film, directed by Robert Wise, Westworld (1973), that could have been a novel, very visual, Westworld RPG, it’s its own module that kills itself at the end, a wonderful one-shot, no one and dones, not anymore, take advantage of all of your successes, this weird phenomenon, the people who buy jigsaw puzzles, it’s like a romance novel, lacquer them, such a weird phenomenon, is this a science fiction novel?, arguing at the end, unless there is strong evidence, my Tolkien ripoff is a science fiction, not science fiction, speculation on what would happen, we have that technology, you might be scared, this stuff is being worked on, Terence wondered, a preparation for writing a science fiction story afterward, the question comes up, why?, why did he say it is his least favourite novel?, we can think of one that is worse, heavily didactic, the plagiarist?, a huge amount of effort trying to make it realist, the chapter on the operation, how good this book is, also a bad book, communicating what’s actually possible, people were doing that, the least realistic part was the plutonium, plutonium for pacemakers?, smart, plausible, squish the plutonium into the atmosphere, a spill not a dirty bomb, contaminate an area, it’s not a bomb, technically possible, fitting a cigarette sized thing inside of somebody, Penfield mood organ, Do Androids Dream Of Electric Sheep?, for fun, more explicitly science fiction, robot humans, is he wrong?, sentient machines control him, showing his technophobia, his later crappy novels, he was inspired by real life cutting into people’s brains, not only that, the computers are coming against us, trends in computers, the chapel and the computer room, Crichton’s feelings about computers made manifest, Elon Reeve Musk’s neurolink, he needs to read this novel, there’s no telling Elon Reeve Musk what to do, Grok AI, against AI research, anti-technology, an ambivalence, Prey, nanotechnology, Jurassic Park, standard Frankenstein monster story, awesomely meta, never see his POV, Mr. Harry Benson, the creature, who is Doctor Frankenstein?, the medical system, and the criminal justice system, and also Harry, inferences, a lot that’s identical, shortened, the crisis of his brain, 6:04 to 3:02, the number of attack scenes, knife not microwave, girlfriend, the perseveration of the knife, stuff you have to do for film, seeing it on the screen, we only get his words, he forgets what he does, in a fit state, violent actions almost like a zombie, dance round him, he can reason with you, he’s robotic, he doesn’t look robotic, his whole program is making him violent, a very bad movie, bogged down in the wrong computers, he goes to a grave, hoping he would kill himself, the funeral procession, doing a symbolic thing, the ending of Frankenstein, after he tells the story, there’s no frame here, the woman doctor, Janet Ross, most sympathetic, Minnesota, Paul is a little biased, good writing, so many ideas, this amazing promise, Harry thinks robots are going to take over the world and maybe they already have, how he got into this situation in the first place, scheduled for surgery, under charge, volunteered or agreed to surgery, pre-research, did