Episode Details

The Sennheiser 416 has become an industry-standard tool. Being a  “shotgun” mic (or in tech terms a super-cardioid) the microphone is really sensitive in a very narrow space, in a line extending straight out from the tip. For this reason, it is often used on film sets where the mic needs to be a little farther away from the actor’s mouth (so it’s not in the frame), and the production team wants to capture the actor’s voice without capturing background noise in the room. These qualities also make it extremely versatile for use in home voiceover studios!  But who first decided a Shotgun would be great for Voice Over, and why is it now an industry standard?  Find out on next week's episode of the Pro Audio Suite. A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear.. https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it’s an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite   George has created a page strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson Summary In this episode of Pro Audio Suite, we delve into an intriguing story about a paranoid voiceover artist who disliked using the booth, even in a professional setting. His preference to sit in the control area led to an unconventional solution - using a 41 six instead of the customary large diaphragm U87 microphones. This switch, made by one of the floor guys, not only satisfied the artist but also resulted in a unique sound that rapidly became the benchmark for what a voiceover should sound like. Don't miss this intri