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Should Music Be A Sin?
Description: Malcolm and Simone have a fascinating discussion on the evolutionary origins and cultural purposes of music. They analyze how music builds in-group cohesion, signaling identity, glorifying values, and shaping emotions. From military marching songs to religious chanting to teenage subcultures, music plays a key role in cultural programming and bonding. But they argue overusing music can be indulgent and dulling. An insightful talk on the sociology and psychology of music!
Malcolm: [00:00:00] Speech is a very effective person to person communication device. It allows one person to communicate with one other person. Or one person to communicate with a large group of people. Music is different. Music is a many to many cultural communication device. And that's where music gets really interesting.
Would you like to know more?
Simone: Hello, Simone.
Malcolm: I am excited for today's topic. It's actually based on a user comment because they were asking about music and culture and how cultures can use music to intergenerationally retain people, to augment people's. Brains and the way people relate to their environment, especially in the context of hearing that we are so anti art, anti music, right?
Malcolm: So this is one of those interesting things. Where I can say our culture does not do something [00:01:00] and may have led to perhaps even a genetic thing, but more broadly, I think cultures should do that thing and here's why. So first, a little background here. Calvinist culture traditionally is very antagonistic to music or art.
Malcolm: Or any sort of frivolous pleasure that was either not evocationist or not evocatist. A great example is Geneva banned music for almost a century when they were predominantly Calvinist. It was, so it wasn't all music. It was any music that was either not that used words. Or was that like explicitly spiritual, I think.
Malcolm: But it was mostly any music that used words. And, and I can understand that sentiment, actually, when I was a kid, I felt the same way. I remember when I was very young, telling my parents that any music was words, wasn't real music. What? Yeah, I, I'm trying to remember why I felt this [00:02:00] instinctually so strong.
Malcolm: I think it was because... I, I thought that music that utilized anything other than sound to manipulate an individual's emotional state was like cheating or relying on, on an externality that it shouldn't rely on as a vanity. I don't, it was very interesting, but, but what I would say.
Malcolm: And so historically we from, come from a cultural group that as one of its core motivations is this idea that positive and negative emotional states you know, most cultures, it's only positive emotional states you would, you would go after that are pursued for their own sake, whether it's from emotion comes from music or sexuality or anything like that are always evil.
Malcolm: Yeah. That actions should always be dedicated to what's efficacious. And so I understand why my culture did this. And one of the things we'll talk about in a different culture is cultures can go evolve with a person's [00:03:00] genetics. By that what I mean is individuals with a sociological profile that were like really into music would have left this Cultural system much faster than those who didn't and people living adjacent to these sort of cultural groups who naturally were uninterested in music, but have been much more likely to join these cultural groups.
Malcolm: And also the extent to which our cultural groups feel is I remember I did not get my first CD was music on it until I was 12 and I went to a store and what I bought. Was a single because it was the cheapest thing in the store. But it was this weird, like I put it on a th
Published on 2 years, 3 months ago