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LGBT+ community, comedy, acting, characters (Talking about the craft of acting and playing roles)

LGBT+ community, comedy, acting, characters (Talking about the craft of acting and playing roles)

Published 2 years, 8 months ago
Description
SUPERTIME w/ JADE FOX AND ARROWS: https://youtu.be/XKRHmcqev74 ASHLEY GAVIN ON WE’RE HAVING GAY SEX PODCAST https://youtu.be/pZsXyQlMdP8 , CHOSEN FAMILY PODCAST https://youtu.be/eyiAbcXUevU , & STANDUP (she also has a special coming up): https://www.youtube.com/live/TA3ex_HIb6I?feature=share WATTS THE SAFE WORD w/ AMP & MR. CHRISTOPHER: https://youtu.be/Dby6UMHm1Zg Actors Getting into Character: How to Create a Compelling Performance Acting is a craft that requires more than just memorizing lines and hitting marks. To truly bring a character to life, actors must immerse themselves in their roles, understanding the motivations and emotions of their characters and embodying them on screen or stage. This process is known as "getting into character," and it is essential for creating a convincing and compelling performance. In this article, we will explore the techniques and methods that actors use to get into character, including research, observation, and improvisation. We will also discuss the challenges that actors face when trying to inhabit a character, and how they can overcome them to deliver a powerful performance. Research: The Foundation of Character Creation Before an actor can truly get into character, they must first understand who that character is. This requires research, both about the character and the world they inhabit. For example, if an actor is playing a historical figure, they will need to research the time period, the political climate, and the social customs of the era. They may also need to study the subject's life, reading biographies or personal journals to gain insight into their personality and motivations. Similarly, if an actor is playing a fictional character, they will need to read the script and study the character's backstory, personality traits, and relationships with other characters. They may also need to research the genre of the work, such as the conventions of a specific genre like a superhero film or a romantic comedy, to understand the tone and style of the performance. Observation: Learning from Real-Life Examples Observation is another key tool that actors use to get into character. By observing real people, actors can gain insight into human behavior and emotions, which they can then use to inform their performances. This can involve watching documentaries or news footage to understand the behavior of people in specific situations. For example, if an actor is playing a police officer, they may observe real officers to understand their mannerisms, speech patterns, and body language. Actors may also observe people in their everyday lives to develop a more nuanced understanding of human behavior. They may pay attention to how people move, talk, and interact with one another, noting the subtle gestures and expressions that convey emotion. Improvisation: Finding the Character in the Moment Improvisation is a valuable technique for actors who want to get into character quickly and intuitively. By improvising, actors can explore different aspects of their character's personality and behavior, testing out different approaches and responses to different situations. Improvisation can also help actors stay present in the moment, allowing them to respond authentically to the other actors and the environment around them. This can create a sense of spontaneity and naturalness in the performance, which can be compelling for audiences. Challenges of Getting into Character Getting into character is not always easy. Actors may face a number of challenges that can make it difficult to fully inhabit their roles. One common challenge is staying true to the character's motivations and emotions, even when they conflict with the actor's own feelings or beliefs. For example, an actor playing a villain may find it difficult to identify with their character's cruel actions, even if they understand the character's motivations.
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