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回顧星期天LBS - 藝術品相關時事趣聞 All about artworks
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Topic: Collins Dictionary picks ‘NFT’ as word of the year
C
ollins Dictionary has chosen the term NFT as its word of the year after surging interest in the digital tokens that can sell for millions of dollars brought it into the mainstream.
《柯林斯詞典》於近日選出「NFT」為年度詞彙！該數位貨幣交易動輒高達數百萬美元，各界對它的興趣大增，並成功打入主流市場。
NFT is short for non-fungible token. Collins defines it as “a unique digital certificate, registered in a blockchain, that is used to record ownership of an asset such as an artwork or a collectible.”
NFT是「非同質代幣」的縮寫，《柯林斯詞典》將NFT定義為「一種基於區塊鏈的獨特數位認證，用於記錄藝術品或收藏品等資產的所有權。」
Most people didn’t know what an NFT was until this year, when sales boomed, sparked in large part by artist Beeple’s March auction of a digital collage NFT for nearly US$70 million (approximately NT$2 billion). Experts at Collins said they chose NFT because of its “meteoric rise in usage,” up 11,000 percent this year.
人們原本對NFT很陌生，但自從數位藝術家畢波今年三月以近七千萬美元（近二十億台幣）的天價，售出一件數位拼貼作品後，NFT熱潮隨即興起，人們紛紛將目光投向NFT市場。柯林斯的專家表示，NFT一詞的使用量「迅速竄升」，今年已增長一百一十倍。
“NFTs seem to be everywhere, from the arts sections to the financial pages and in galleries and auction houses and across social media platforms,” said Alex Beecroft, managing director of Collins Learning. But whether NFT will have a lasting influence is yet to be determined, he added.
「柯林斯學習」的總經理比克羅夫特表示︰「NFT似乎無所不在，從藝術領域到金融版面，並且在畫廊、拍賣會還有社交平台都有它的蹤影。」他補充︰「但NFT是否會產生持久的影響，仍有待觀察。」Source article: https://www.taipeitimes.com/News/lang/archives/2021/12/06/2003769067
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Topic: Art Museums Are Struggling to Weed Out the Vandals From the Visitors
For Hans-Peter Wipplinger, the director of Vienna’s Leopold Museum, the past few weeks have been challenging. As climate protesters across Europe stepped up their attacks against art, Wipplinger took measures to protect his storied collection, which includes famous paintings by Gustav Klimt and Egon Schiele. Bags were banned; coats, too. The museum hired extra guards to patrol its five floors.
對維也納立奧波德博物館館長維普林格來說，過去幾周充滿挑戰。隨著歐洲各地氣候抗議者加大對藝術品的攻擊力道，維普林格採取措施保護他的著名收藏，包括克林姆和席勒的名畫。禁止包包，外套也是。博物館雇用額外警衛巡視五個樓層。
It didn’t work. Last week, members of a group called Last Generation walked into the museum and threw black liquid at one of Klimt’s major works, “Death and Life.” A protester had sneaked the liquid into the museum in a hot water bottle strapped to his chest, Wipplinger said.
但沒有成功，上周一個名為「最後一代」團體的成員走進博物館，向克林姆主要作品之一《死亡與生命》潑灑黑色液體。維普林格說，一名抗議者將這種液體裝在一個熱水瓶內偷偷帶進博物館。
The Klimt, protected by glass, was unharmed. But Wipplinger said his security team could only have stopped the attack by subjecting visitors to invasive body searches, “like at the airport.” He didn’t want to even consider that prospect, he added.
受玻璃保護的克林姆作品雖毫髮無損，但維普林格說，他的保安團隊恐怕只能對訪客進行侵入式搜身
來阻止攻擊，「就像在機場一樣」。他還表示，他甚至不想考慮這一可能性。
With the attacks showing no sign of abating, museum directors across Europe are settling into a nervous new equilibrium, fearful for the works in their care but unwilling to compromise on making visitors feel welcome. So far, nothing has been permanently damaged. But many fear that an accident or an escalation in the protesters’ tactics could result in a masterpiece being destroyed.
由於攻擊沒有減弱跡象，歐洲各地博物館館長正陷入一種緊張的新平衡狀態，擔心自己照顧的作品受到損害，但又不願在讓訪客感覺賓至如歸的問題上妥協。到目前為止，還沒有任何永久性的損壞，但許多人擔心，若發生意外或抗議者升級策略，恐導致名作被毀。
The actions, which began in Britain in June, are already increasing in frequency and daring
Published on 2 years, 10 months ago