Episode Details

The SFFaudio Podcast #382 – Jesse, Paul, Julie Davis, and Maissa talk about Scaramouche by Rafael Sabatini.

Talked about on today’s show:
1921, Captain Blood, The Sea Hawk, The Count Of Monte Cristo by Alexandre Dumas, the morality of this character, on his high horse, betraying the Revolution, completely detached, everybody in this novel is morally gray, maddeningly indistinct, not a hero, historical explanation, that is why the book is named “Scaramouche”, he is the goad, acting as Scaramouche, Aline holds up the virtue, the epitaph on Sabatini’s gravestone, a Prisoner Of Zenda situation, based on somebody real, “A Romance Of The French Revolution”, incendiary speeches, the “Paladin of the Third”, critiquing the excesses of the French Revolution, pro-Jacobean, the character has knowledge of the future, excusing a lot of the morality, we don’t know what he’s thinking until he opens his mouth, good writing, “the tiger is the great lord of the jungle…”, hunting the tiger, solidifying what the revolution meant, dual (duel) motivation, playing the actor, foreshadowing, acting, taking on the role of actor (orator and paladin), a Heinleinian hyper-competent character, the author forces the other Scaramouche off-stage, the comedy and drama, a great sequence, becoming the mask, the inner portion of his life is reflected out on to the stage, he is himself as his purest expression, he is best as Scaramouche, he’s happiest and most content as himself as Scaramouche, you did WHAT with WHO?, we are all the sport of destiny, why look at adaptations, the 1952 movie, dad vs. brother, liberty, equality fraternity, the Robe, Omnus Omnibus, the Buskin, the Sword, enraging the audience, the privileged estates, it becomes very meta, William Shakespeare, a horrible sequel (Scaramouche: The Kingmaker), the puppetry, the author is puppetting the characters, traditional swashbuckler, The Princess Pride without the comedy, other ways of telling the story, a revenge tale, A Tale Of Two Cities, Nicholas Nickleby, reading old books, writers who were ravenous readers first, Donald Westlake (Richard Stark), the Parker series, roll and repeat adventures, Scaramouche is just living, accessory criminals, Alan Grofield is an actor/criminal who gets his own spin-off series, The Score by Richard Stark, The Damsel, The Dame, The Blackbird, Benet, there is the other way…, Sabatini’s weakness is his third act, in the center of Islam, Simon Vance’s narration of Scaramouche, Gord Mackenzie’s narration (for LibriVox), expletive deleted, name of name!, in keeping with the 19th century literary tradition, a lost tale of the French Revolution, Lord Valentine’s Castle by Robert Silverberg, wandering Scaramouche-style, juggling, waking-up with amnesia, quasi-global government, The Old Curiosity Shop, commedia dell’arte, pantomime, improv, Who’s Line Is It Anyway?, pantaloon, harlequin, the little skirmisher, Shakespeare’s types, a learned-fool, a brooding older man, the maiden -> the nurse -> the matron, you’re playing pantaloon, mor