Episode Details

The SFFaudio Podcast #446 – Jesse, Scott, Paul Weimer, and Marissa VU, talk about The Night Flier by Stephen King

Talked about on today’s show:
1988, Prime Evil (New Stories By The Modern Masters Of Horror), the movie, The Running Man is a powerful book, was Jesse wrong about Stephen King?, Salem’s Lot, he’s long, faithful, killing Dees?, lean and mean and sharp, essential goodness, cute, where It was set, All You Zombies, Predestination (2014), Marissa really loves his writing, creeped-out again, how bad writing happens, translates thought onto the page, Elmore Leonard, Donald E. Westlake, not enough there?, maybe Jesse is wrong, depth?, evidence that Jesse is wrong, social commentary, the flower children of the 1960s became the cannibals of the 1990s, real cynicism, pushing hard, the depth is in the characters, caring about characters, hard to film, what’s missing is its all a metaphor for something, the story in the telling, apart from the obvious metaphor: journalism bloodthirstiness, fake journalism, having the story in their minds, tabloid newspapers, what’s that about?, the social phenomenon, analogies to blood (and guts), typical Stephen King, a depth of connection, part of the appeal, feeling these things happen, we know him, we get him, the Weekly World News, on the edge of reality, Kolchak crossed with Lou Grant, “You’re real!”, backward and forward in time, anticipating what he’s going to see, a Cessna Skymaster, you sleep in the belly of that thing, don’t publish what you believe, finding evidence, Maine, small aircraft at small airports, a story idea, who is the titular character?, he’s more real than anyone else, he pointed to it right there, Dwight Renfield’s aircraft: the Toyota of aircraft, a push-pull, a bit like a bat, Dee’s aircraft: Beechcraft 55 aka the Baron, their “crosstown rival”, Cessna vs. Beech, Wichita, Kansas, playing up that parallel, extending the ending, anticipatable, creating the creature for his story, the writer spinning his story, soft human emotions, “Reader’s Digest emotions”, Miguel Ferrer, the anti-hero, a kind of bloodthirsty dude, he’s the vampire, to exploit the trauma of other people’s lives, lying, he glamours them, practicing, “a little boid”, is that what makes King so popular?, he does humans well, problems with endings, unlike the movie, vampiric traits, that ending, there’s no evidence of a vampire, did he get framed, making explicit the metaphor that’s going on in the text, take the film out, if that’s true…, why does Dwight let Dees go?, chasing a phantom, self mutilation for fun and profit, we are supposed to infer Dwight has glamoured the folks at the airfield, following but not with, was Dees doing the killing, an X-Files episode, very Kolchak, an asshole as the main character, we know he’s a bad actor, comparing him to the monster that he’s chasing, practicing in the mirror at hotels (his true home), the fake human emotions he doesn’t actually feel, a Tim Powers lecture, Dracula as a statement on feminism in the 19th century, the horrors are real int he context of the story, The Turn Of The Screw, the comparison is valid, our position, persuaded by t