Episode Details

The SFFaudio Podcast #460 -Jesse, Paul Weimer, and Maissa Bessada talk about Neverwhere by Neil Gaiman

Talked about on today’s game:
the television series, Lenny Henry, Chef, tribes of homeless people in London, the novel, a little sandwich, what book would you take to a desert island?, The Sandman, not the way that things usually run, in the back of Paul’s mind, a full and visceral fall into London Below, the audio drama, Paul buys too many ebooks and audiobooks, Paul’s poor little TV, a new life in the world below, the sewer folk, the comic book adaptation, sadly and tragically, Glen Fabry, Preacher, DC Vertigo, Door has a keyhole over her eye, a completely different vision, insane, shot on videotape, early Doctor Who, Paterson Joseph, Mr Croup and Mr Vandermar, working hard to say bad things about Neverwhere, a children’s book for adults (true about everything Neil Gaiman writes), a metaphor for homelessness, Mr Stockton, Richard’s career as a security analyst, a metaphor for going inside yourself, looking for a critique, real damn good, a sketch, suggesting rather than telling, when Gaiman goes spare he goes better, Charles Dickens, here comes the pressure, the new illustrated edition, William Morrow Harper Collins, Chris Riddell, illustrations throughout, long noses, an eye, a branch twining through the pages, taking you down into it, the Angel Islington, Door is a child, Anesthesia, parallel characters, packed with illustrations, old-wordiness, “entwined”, Jesse’s book fell through the cracks, allusions to semi-mythical literary stuff, referencing earlier materials, The Graveyard Book, The Lord Of The Rings, Alice In Wonderland, Coraline, WONDERFUL, Neil Gaiman tattoos, we completely agree Neil Gaiman is awesome, Gaiman speaks to people, The New Mother by Lucy Clifford, why is it called Neverwhere?, physical place that has never existed in time, that fairy tale fantasy title, Stardust, reflective, gods and angels, pixie-like elfin girls, killers with knives, The Jungle Book by Rudyard Kipling, a murder of a family, a knife in the darkness, the backstory of this book, getting the same stuff in a different package, writing about marriage, a hand in the darkness, consider how London Below works, an unperson, utterly cut-off, social interaction, hitting Paul in the feels, nobody gives a damn if I live or die, tapping into fundamental fears, deep and true mythic social stuff, the beginning and the end, so much really works, very H.P. Lovecraft, Celephaïs by H.P. Lovecraft, disconnection with reality, the doubt, the ordeal, the trial, a subversion reading that’s IN the text, on the train platform, suicide, potent stuff, if they wanted to film it again today, too sensitive, romanticizing homelessness, if you’ve ever gone camping, romantic in the theoretical or in retrospect but there’s no romance in reality, too empathetic, an issue, defenses built up, its very very hard, people are strong even when they’re strong in the wrong ways, a problem you can’t easily fix, homelessness, many kinds of failures, Jessica’s reaction to Door’s body lying there, getting taken,