Episode Details

The SFFaudio Podcast #508 – Jesse, Paul Weimer, and Evan Lampe talk about PIRACY

Talked about on today’s show:
Paul as Simplicio, not just of the swashbuckling sea-kind, the music-kind, audiobook-kind, YOU DON’T HAVE A RIGHT TO THAT, stuff that the FBI Warnings on a VHS tape, forced DVD screens, forced threats, all the crimes I’m going to prison for, a deterrent, easier than ever, easier for some and harder for others, how podcasts work, subscriber only podcasts, Mr Jim Moon’s Hypnogoria podcast, the H.P. Lovecraft Literary Podcast, “please don’t share this with anyone else”, a bonus vs. a big stick, opposite of seeking profits, Econtalk, transaction costs, not monetary costs, the time it takes, easier than ever (but you have to know how it is), a torrent client, ThePirateBay proxy, “CONSUME” media, making PDFs, all about the sharing, a thread Paul was participating in (about pirated ebooks), pirate editions, a drain on the market?, losing, with academic books, the research library model, the Marxist history library, the academic model, publisher XYZ by author A, the end of author A’s career, changing names, data entry job for entry, The Hook by Donald Westlake, once you get in the system, a book about not being able to get a book published, the ratcheting effect, “I’m gonna screw the author so hard”, intent, the effect, that’s the world we live in, How Music Got Free: A Story Of Obsession And Invention by Stephen Witt, the collective nature of the theft, the RIAA targetting random individuals, history of copyright changes, Democracy of Sound: Music Piracy and the Remaking of American Copyright in the Twentieth by Alex Sayf Cummings, player pianos, machine based, sheet music, human readable, MP3s, a CD, a record, a magnetic tape, patent, loophole vs. rule, licensing any piece of music for a nominal fee, the transaction cost there is horrendous, the move to YouTube, full of piracy, YouTube ads, what percentage of creators on YouTube make a living off of YouTube, Jesse’s account was demonetized in 2018, exploiting creators, almost communism, ‘from each according to their abilities to each according to their needs’, library logic, curation, finding a massive archive of cultural history hidden from the mainstream, old television shows, never released on DVD, the actual principals, why is piracy a massively good thing? vs. massively a bad thing, the preservation of a cultural legacy, facts about The Beatles, did you know The Beatles’ had a racist version of Get Back, an anti-immigration song, racist?, how come that’s not on the official albums, the sanitized version, Apple Records, when iTunes got The Beatles, a big deal, they couldn’t make a deal with Columbia or Decca, a bootleg, fascinating, on December 17th 2013, an official bootleg release on iTunes, so they could secure their copyright, it’s about control, The Invisible Hook: The Hidden Economics of Pirates, copyright is (for) kings, a printer’s license, playing cards, a license to print playing cards, copyright is a monopoly, why the White Album is called the White Album, a tribute to the bootlegging with white sleeves, a very famous Bob Dylan album GWW: Great White Wonder, under the cultural consciousness, the medium changes the way people act, most videos are 10 minutes, NETFLIX, HBO, what libraries are supposed to do, oink’s Pink Palace, the complete catalogue of music, preservation and scholarship, chat roul