Episode Details

The SFFaudio Podcast #533 – Jesse, Paul Weimer, Marissa VU, Maissa Bessada, Bryan Alexander and Evan Lampe talk about Alien by Alan Dean Foster

Talked about on today’s show:
the novel, the movie, Black Destroyer by A.E. van Vogt, Planet Of The Vampires, It: The Terror From Beyond Space, A.E. van Vogt’s Voyage Of the Space Beagle, a remake?, not the same story, a ripoff, Aliens (1986), a scene by scene recreation, every scene in Alien is also in Aliens, a climbing-in, a precious living thing, the countdown, “you now have four minutes”, written the same way, the same language, a betrayal, its not the robot, the company betrays them again (the same motivation), Dallas egg banks, the cocoon scene, there’s nothing in Aliens that isn’t in Alien, Prometheus (2012) rips off alien six ways to Sunday, Ridley Scott only has one story, exploding ships, a betrayal by the android, Easter Sunday, an Easter Egg hunt, we can’t escape the story, the reason it all works, the movie is astounding, Captain Marvel (2019), delete from human consciousness, the essential gothic character, William Gibson’s script for Alien 3, Audible’s audio drama of Alien 3, the comic script, the Wolverine podcast, David Fincher, some ideas, all the Christ imagery, a point it can’t support, a great egg hunt, the Gothic roots, a haunted house, the practical escape, all the horrible things that are happening are all true, a haunted ship, Ash is Mother’s loyal servant, Nostromo by Joseph Conrad, Sulaco, the tip-off, money, haunted house logic, low up the haunted house (in American gothic), family secrets and deviant sexuality, juicy Freudian goodness, white fluid, various forms of rape, Parker’s nest, pornography on the walls, pornography magazine, paralleled by what happened earlier in the film, and what happens next, how well thought through everything is, differences, that liquid spurting, a robot, a political flavour, the last great 1970s sci-fi movie, a labour movie, compensation, Karel Čapek, a seamen’s story, space truckers, truckers vs. seamen, merchant marine, a share system, getting that ship to shore, delivering oil, a banality to their presence in space, they’re not explorers, they’re not scientists, they’re workers, they’re not colonists, even more explicit, Dan O’Bannon’s script, the destruction sequence, tweeting out lines and screenshots, singing a little song, lucky star, the HORROR of the breathing, the HORROR of the body, contrasted with Star Wars and Star Trek, a working class and dirty future, the grunts, the Company, they’re murderers, they’re scum!, part of the power of the film, more an more unequal, more and more plutocratic, how many years passed, still trying to make a super-weapon, the textural feel of it, the computer interactions, shoulder patches, badges, coffee cups, beer cans, little details, that world-building, Aliens was filmed in the UK, Weyland-Yutani, British-Japanese, we’re living in that trans-national corporation future, registered out of the Solomon Islands, Antarctica, none of it comes as a surprise, t